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Tags: Anne Frank, Annemarie Schwarzenbach, Argyle Scotland, Bachivillers, Ballad of the Sad Cafe, Cambridge, Carroll Reed, Carson McCullers, Cheltenham Literary Conference, Clock Without Hands, Doris Lee, Duchess of Sermoneta, Edwin Peacock, Floria Lasky, Ford Foundation, Georges Pollet, Harley Street, Houghton-Mifflin, Ida Reeder, India, Jan Crammer, Jay, John H. Davidson, John Zeigler, Katherine cohen, KKK, Ku Klux Klan, leukemia, Lillian Smith, Margaret S. Sullivan, Marguerite Caitani, Marguerite Chapin, Martha Maschler, Mary Mercer, Mr. Hingoran, Naomi Mitchiem, Out of Africa, Princess of Bassiano, Reeves McCullers, Reflections in a Golden Eye, Rita Smith, Rome, Switzerland, symbolism in Carson McCullers, Tennessee Williams, The Heart is a Lonely Hunter, The Square Root of Wonderful, Tom Maschler

Tags: Alfred Wolkenberg, Annemarie Schwarzenbach, Ballad of the Sad Cafe, Bottegha Obscure, Bronte sisters, Carson McCullers, Cheltenham Festival of Literature, Clock Without Hands, Cookie Buckley, Corning White, Davis F Oxford, Doris Lee, Edith Sitwell, Emily Dickinson, Frank Wolkenberg, Gene Reynolds, George Sands, Gertrude Stein, Gertrude W. Broge, Harold Vinal, Hilda Bruch, Howard Mandell, Ida Reeder, Louise Lalu, Louise Rita Miller, Margaret S. Sullivan, Max Whetherly, Mrs. Jacob Anthony Begner, New York Times, Nyack, Peter O'Brian, Reeves McCullers, refugees, Rita Smith, Sandy Campbell, Sappho, Street Car Named Desire, Summer and Smoke, Tanya Tolstoy, Tommy Johnson Willimas, Voices, William Beyer, William Mayer