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                <text>Michael Bank</text>
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                <text>Bettie Shorter, believed to be Mary Elisabeth Short,  appears to have owned this book at one time. </text>
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                <text>It shows a main street in Columbus, with streetcars, carriages, and pedestrians bustling about in the city. It gives an idea of ​​what the city center looked like at the dawn of the 20th century, with commerce, early public transportation, and everyday life</text>
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                <text>https://bikewalk.life/2021/04/when-streets-were-for-everyone-columbus-ga-in-1900/</text>
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                <text>Historic view of Broad Street looking north from 11th Street. Commercial buildings, urban activity, and the early Columbus scene in the late 19th century are visible</text>
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              <text>NPS Form 10-900&#13;
(7-81)&#13;
&#13;
United States Department of the Interior National Park Service&#13;
&#13;
For NPS use only&#13;
received OCT - 4 1983&#13;
date entered&#13;
&#13;
National Register of Historic Places Inventory-Nomination Form&#13;
&#13;
See instructions in How to Complete National Register Forms&#13;
Type all entries-complete applicable sections&#13;
&#13;
1. Name&#13;
historic       Apollo Theater&#13;
and/or common&#13;
&#13;
2. Location&#13;
street &amp; number     253 West 125th Street      __not for publication&#13;
city, town New York&#13;
vicinity of &#13;
congressional district&#13;
state       New York &#13;
code 36&#13;
county New York&#13;
code 061&#13;
&#13;
3. Classification&#13;
Category&#13;
__district&#13;
[x] building(s)&#13;
__structure&#13;
__site&#13;
__object&#13;
&#13;
Ownership&#13;
__public&#13;
[x] private&#13;
__both&#13;
&#13;
Status&#13;
[x]occupied&#13;
__unoccupied&#13;
__work in progress&#13;
&#13;
Present Use&#13;
__agriculture&#13;
__commercial&#13;
__educational&#13;
[x]entertainment&#13;
__government&#13;
__industrial&#13;
__military&#13;
__museum&#13;
__park&#13;
__private residence&#13;
__religious&#13;
__scientific&#13;
__transportation&#13;
__other:&#13;
&#13;
Public Acquisition&#13;
[NA] in progress&#13;
[NA] being considered&#13;
&#13;
Accessible&#13;
[X] yes: restricted&#13;
__yes: unrestricted&#13;
__no&#13;
&#13;
4. Owner of Property&#13;
name Inner City Broadcasting Corporation c/o Percy Sutton&#13;
street &amp; number 802 Second Avenue&#13;
city, town New York     __vicinity of         state New York&#13;
&#13;
5. Location of Legal Description&#13;
courthouse, registry of deeds, etc. Surrogates Court / Hall of Records&#13;
street &amp; number 31 Chambers Street&#13;
city, town New York&#13;
state New York&#13;
&#13;
6. Representation in Existing Surveys&#13;
title Landmarks Preservation Commission Urban Cultural Resources Surveys 1/6/83&#13;
has this property been determined eligible? X yes __no&#13;
date 1983&#13;
__federal&#13;
__state&#13;
__county&#13;
[x]local&#13;
depository for survey records 20 Vesey Street&#13;
city, town New York&#13;
state New York 10007&#13;
&#13;
7. Description&#13;
Condition&#13;
__excellent&#13;
[x] good&#13;
__fair&#13;
__deteriorated&#13;
__ruins&#13;
__unexposed&#13;
&#13;
Check one&#13;
__unaltered&#13;
[x] altered&#13;
&#13;
Check one&#13;
[x] original site&#13;
__moved                     date NA&#13;
&#13;
Describe the present and original (if known) physical appearance&#13;
The Apollo Theater is located in the heart of Harlem on the north side of 125th Street between 7th and 8th Avenues, a large and busy com-&#13;
mercial street containing a variety of 19th and 20th century build-&#13;
ings. The three-story building, measuring four bays wide on its principal street facade, has been altered over the years but retains most of its early 20th century character. Originally the building contained a cafe and cabaret in the basement, a burlesque theater and store on the main floor, a restaurant on the second floor, and loft and meeting rooms on the third floor. Today the second and third floors above the lobby are divided into small rooms and serve as offices and storage space.&#13;
&#13;
The south and principal facade is clad with white terra-cotta. The first floor incorporates several remodeling campaigns and the addition of a contemporary storefront with modern windows and doors. Above, the original ashlar coursed white glazed terra-cotta embellished with a denticulated cornice extends the width of the building. Five colossal pilasters divide the upper facade into four bays. These pilasters on the ends are panelled, with stylized Tuscan capitals. The three central pilasters are fluted with Ionic capitals. A heavy modillioned metal cornice is surmounted by three parapet-like pedestals placed above the central pilasters.&#13;
&#13;
The bays are filled with large square windows with terra-cotta spandrels. The spandrels above the second story are decorated with fluted heraldic panels bearing shields. Narrow spandrels above the third story are decorated with Greek fretwork. The windows consist of both paired double-hung sash and a single-pane pivot type with a single transom in the two upper eastern bays and three lower western bays.&#13;
&#13;
A heavy marquee above the entrance that bears the word "Apollo" on the two sides, extends across half the building, covering the width of the sidewalk. A large vertical two-sided sign also bearing the name "Apollo" rises above and perpendicular to the building, supported by metal framework. Both signs date from the 1940's.&#13;
&#13;
The theater's original L-shape plan remains intact, retaining its entry sequence through a vestibule and lobby and into the main auditorium. The front portion of the building is divided into two equal sections: the western half consisting of the vestibule and lobby to the Apollo and the eastern half a separate store. The rear of the structure consists of a three-tiered auditorium. The theater is oriented on a perpendicular axis to the entrance with the stage at the east wall of the building.&#13;
&#13;
The lobby, separated from the street by a small vestibule, retains its original volume and rectangular shape plan, although its finishes were removed in the 1960's. A large mural portraying black artists who have performed at the Apollo has been installed along the lobby walls leading to the auditorium.&#13;
&#13;
[page break]&#13;
&#13;
NPS Form 10-900-a&#13;
(7-81)&#13;
&#13;
United States Department of the Interior&#13;
National Park Service&#13;
&#13;
For NPS use only&#13;
received&#13;
date entered&#13;
&#13;
National Register of Historic Places Inventory-Nomination Form&#13;
Continuation Sheet Apollo Theater 253 W. 125th St. N.Y. &#13;
Item number 7&#13;
Page 2&#13;
The auditorium is rectangular in plan and three stories in height. The floor of the orchestra is raked toward the stage, divided by two center aisles. The rows of seating are tiered and placed on a curve to provide for the best possible views. Monumental arches flank the proscenium and frame two levels of double-tiered boxes. The entablature and arches are decorated with classically inspired plaster ornament, including foliation and circle motifs.&#13;
&#13;
The Apollo is one of the few theaters remaining in New York City with two balconies. The balconies, each reached by a separate set of stairs, curve around the back of the auditorium. They are supported on the orchestra level by fluted columns (stripped on the lower portions) and on the first balcony level by square columns with simple molded capitals. The balconies have brass handrails and the front panels retain much original classically inspired plaster ornament, including Greek fretwork, shields, wreaths, garlands, and rope moldings.&#13;
&#13;
The interior of the Apollo Theater has retained much of its original character despite several minor renovations from the 1930's-1970's. These interior alterations include: replacement of the original seating and carpeting, stripping of the ornamental plaster from the lower boxes, and removal of the scagliola fluting from the columns supporting the balcony on the orchestra level.&#13;
&#13;
8. Significance&#13;
Period&#13;
__prehistoric&#13;
__1400-1499&#13;
__1500-1599&#13;
__1600-1699&#13;
__1700-1799&#13;
__1800-1899&#13;
[x] 1900--&#13;
&#13;
Areas of Significance--Check and justify below&#13;
__archeology-prehistoric&#13;
__archeology-historic&#13;
__agriculture&#13;
[x]architecture&#13;
__art&#13;
__commerce&#13;
__communications&#13;
__community planning&#13;
__conservation&#13;
__economics&#13;
__education&#13;
__engineering&#13;
__exploration/settlement&#13;
__industry&#13;
__invention&#13;
__landscape architecture&#13;
__law&#13;
__literature&#13;
__military&#13;
[x] music&#13;
__philosophy&#13;
__politics/government&#13;
__religion&#13;
__science&#13;
__sculpture&#13;
__social/humanitarian&#13;
[x] theater&#13;
__transportation&#13;
__other (specify&#13;
&#13;
Specific dates 1913&#13;
Builder/Architect George Keister&#13;
&#13;
Statement of Significance (in one paragraph)&#13;
The Apollo Theater is historically and architecturally significant for its role as one of New York City's and the nation's leading entertainment centers for over four decades. Completed in 1914 as a burlesque house, it&#13;
later became the premier performance hall for black American performers and a symbol of the movement to promote black cultural awareness in the 1930s. Its contribution as a nuturing force and a showcase of black talent ranks it as one of this country's most significant cultural resources. The Apollo's interior, with its classically inspired ornament, retains much of its original character, providing associations with its history as a theater.&#13;
&#13;
During much of the nineteenth century, Harlem was a fashionable suburb for wealthy and upper-middle class white Manhattan residents. At the turn of the century, following the completion of subway routes, speculative overbuilding of rowhouses and apartment buildings resulted in a real estate bust in 1904. At this time, major black neighborhoods, (the west side, streets 20s-60s), were experiencing redevelopment and the residents were being displaced. The combination of available real estate in Harlem and displacement from other neighborhoods made Harlem attractive to New York City blacks, who began to move into Harlem around 1910.&#13;
&#13;
This migration increased during the 1920s as blacks moved to Harlem from the American south and the West Indies. During these years, Harlem&#13;
became the urban cultural capital of black America. The "center" of Harlem was then considered to be around 135th Street, between Lenox and Seventh Avenues. By the 1930s, as the black population moved southward, 125th Street, already a major shopping and entertainment throughfare, became the "Main Street" of black Harlem.&#13;
&#13;
Built as Hurtig and Seamon's New (Burlesque) Theater, the Apollo originally catered to a primarily white clientele and presented the popular entertainment of the day: burlesque. The New Theater was in operation until 1934, when a crackdown on burlesque shows was undertaken by Mayor La Guardia's administration. In 1935 Frank Schiffman and Leo Brecher, two white businessmen, purchased the building and renamed it the Apollo Theater. Under their direction, the theater presented a permanent variety show format which featured leading black entertainers.&#13;
&#13;
9. Major Bibliographical References&#13;
Apollo Theater. The Apollo Theater Story. New York: Apollo Operations, Inc. 1966.&#13;
Schiffman, Jack. Uptown: The Story of Harlem's Apollo Theater. New York: Cowles Book Co., Inc., 1971.&#13;
Shockley, Jay. Apollo Theater-Designation Report. New York: Landmarks Preservation Commission, 1983.&#13;
&#13;
10. Geographical Data&#13;
Acreage of nominated property Approximately 2/5 of an acre&#13;
Quadrangle name Central Park, N.Y. - N.J.&#13;
Quadrangle scale 1:24000&#13;
UT M References&#13;
A.  Zone 18 Easting 588550 Northing 4517990&#13;
B Zone__ Easting______ Northing_______&#13;
C&#13;
D&#13;
E&#13;
F&#13;
G&#13;
H&#13;
&#13;
Verbal boundary description and justification&#13;
The boundary of the Apollo Theater, 253 West 125th Street, is shown as the bold line on the accompanying plot map.&#13;
&#13;
List all states and counties for properties overlapping state or county boundaries [NA]&#13;
state        code             county         code&#13;
state        code             county         code&#13;
&#13;
11. Form Prepared By&#13;
name/title Contact: Merrill Hesch&#13;
organization NYS Office of Parks, Recreation &amp; Historic Preservation&#13;
date September 1983&#13;
street &amp; number E.S.P. Agency Bldg. 1&#13;
telephone 518 474-0479&#13;
city or town Albany&#13;
state New York 12238&#13;
&#13;
12. State Historic Preservation Officer Certification&#13;
The evaluated significance of this property within the state is:&#13;
[X] national         __state        __local&#13;
As the designated State Historic Preservation Officer for the National Historic Preservation Act of 1966 (Public Law 89-665), I hereby nominate this property for inclusion in the National Register and certify that it has been evaluated according to the criteria and procedures set forth by the National Park Service.&#13;
&#13;
State Historic Preservation Officer signature&#13;
title Commissioner&#13;
date 9-22-83&#13;
&#13;
For NPS use only&#13;
I hereby certify that this property is included in the National Register&#13;
[illegible signature], Keeper of the National Register&#13;
date 11/17/83&#13;
Attest:&#13;
date&#13;
Chief of Registration&#13;
GPO 894-785&#13;
&#13;
[page break] &#13;
&#13;
NPS Form 10-900-a&#13;
(3-82)&#13;
&#13;
OMB No. 1024-0018&#13;
Exp. 10-31-84&#13;
&#13;
United States Department of the Interior&#13;
National Park Service&#13;
&#13;
For NPS use only&#13;
received&#13;
date entered&#13;
&#13;
National Register of Historic Places Inventory-Nomination Form&#13;
Apollo Theater&#13;
Continuation Sheet Apollo Theater 253 W. 125th St., New York, New York Co.&#13;
Item number 8&#13;
Page 2&#13;
&#13;
The Apollo became the center for Harlem's popular entertainment and one of the nation's most important arenas for the display of leading black performing talent for a period of four decades. "Harlem recognized no popular entertainer until he or she had appeared or excelled at the Apollo. "1 Throughout its history, it displayed every form of popular black entertainment, including comedy, drama, dance, gospel, blues, jazz, swing, bebop, rhythm and blues, rock and roll and soul music. In programing such a variety of black entertainers, the Apollo's management contributed to the development of Harlem into the major urban cultural and intellectural center for blacks in the United States.&#13;
&#13;
"The Apollo," according to former New York City Landmarks Preservation&#13;
Commission Chairman Kent L. Barwick, "is unparelleled in shaping both&#13;
the careers of major black performers and a variety of forms of American&#13;
entertainment. Nearly every black American performer has played the&#13;
Apollo, from blues singer Bessie Smith in the 1930s, to jazz great Louis Armstrong, Count Basie, and Duke Ellington, to Dinah Washington, Sam Cooke, and the Supremes, through soul singer Aretha Franklin and James Brown in the 1970s. It is no wonder that the Apollo, aside from having had an extraordinary impact on our culture, has become synonymous with Harlem itself."2&#13;
&#13;
Designed by architect George Keister in the neoclassical style, the Apollo retains much of its original character. The 1700-seat theater auditorium features a proscenium arch with flanking boxes and elaborate classically inspired plaster ornament. The Apollo is one of the few theaters remaining in New York City with two balconies. The Apollo's exterior, faced in white terra cotta, handsomely displays five colossal pilasters capped by stylized Tuscan and Ionic capitals decorated with anthemion motifs. Keister was one of the most prominent theater architects in practice at the turn of the century. He worked throughout the metropolitan area designing the Sewlyn and the Belasco Theaters in Times Square, the Colonial Theater at 68th Street and Broadway, Loew's Yorkville (demolished), and the Bronx's Opera House.&#13;
&#13;
1. Jervis Anderson, This was Harlem; A. Cultural Portrait,&#13;
1900-1950 (New York: Farrar, Straus, Giroux, 1982) p. 238.&#13;
2. "Landmark News" (New York City Landmarks Preservation&#13;
Commission), June 29, 1983.&#13;
&#13;
[page break]&#13;
&#13;
NPS Form 10-900-a&#13;
(3-82)&#13;
&#13;
OMB No. 1024-0018&#13;
Exp. 10-31-84&#13;
&#13;
United States Department of the Interior&#13;
National Park Service&#13;
&#13;
For NPS use only&#13;
received&#13;
date entered&#13;
&#13;
National Register of Historic Places Inventory-Nomination Form&#13;
Apollo Theater&#13;
Continuation Sheet Apollo Theater 253 W. 125th St., New York, New York Co.&#13;
Item number 8&#13;
Page 3&#13;
&#13;
The Apollo Theater's continuous tradition of live entertainment since the 1910s (which featured leading black performers since the 1930s) came to an end in the mid-1970s. A number of factors are usually cited for the Apollo's decline, including dwindling audiences, higher ticket prices, the opening of other arenas to black patronage, the decline of stage shows in the recording era, the ease with which top-name black performers could earn more money elsewhere, and the decline of 125th Street as a healthy commercial center. The building has subsequently had a mixed history: as a movie theater with occasional shows, a short-lived attempt to revive live entertainment without top names, years of standing vacant, and the sale to the Harlem Urban Development Corporation. The Apollo Theater remains, however, as a building of great significance in the history of American culture, representing the contribution of Harlem and black Americans to the entertainment of New York City and the nation.&#13;
&#13;
FHR-8-300 (11-78)&#13;
United States Department of the Interior&#13;
Heritage Conservation and Recreation Service&#13;
&#13;
For HCRS use only&#13;
received&#13;
date entered&#13;
&#13;
National Register of Historic Places&#13;
Inventory-Nomination Form&#13;
&#13;
Continuation Sheet Apollo Theater 253 W. 125th St., N.Y. Co. New York&#13;
Item number 11&#13;
Page 2&#13;
&#13;
Form Prepared By: Michael May, Graduate Research Assistant&#13;
Carol Clark, Associate Director&#13;
Elizabeth Igleheart, Reasearch Consultant&#13;
&#13;
Organization: New York Landmarks Conservancy&#13;
330 West 42nd Street&#13;
New York, NY 10036&#13;
Telephone: (212) 736- 7575&#13;
&#13;
Date: August 19, 1983&#13;
&#13;
[page break] &#13;
&#13;
Apollo Theater&#13;
253 West 125th St.&#13;
New York, New York Co., NY&#13;
General Plot Plan 1929&#13;
Manhattan Land Book&#13;
Updated March 1974&#13;
Scale 1200'=1"&#13;
&#13;
BUILDING ZONE RESTRICTIONS&#13;
HEIGHT ZONES&#13;
All properties in this plate are in zone 1 ½ and the height of the buildings is restricted to 1 ½ times the width of the Street or Avenue on which they front&#13;
&#13;
[page break] &#13;
&#13;
83004059&#13;
WASO Form 177&#13;
("R" June 1984)&#13;
&#13;
UNITED STATES DEPARTMENT OF THE INTERIOR&#13;
NATIONAL PARK SERVICE&#13;
&#13;
NATIONAL REGISTER OF HISTORIC PLACES&#13;
EVALUATION/RETURN SHEET&#13;
&#13;
Apollo Theater&#13;
New York County&#13;
NEW YORK&#13;
&#13;
Substantive Review&#13;
Working No. OCT 4 1983&#13;
Fed. Reg. Date: 2/5/83&#13;
Date Due: 11/3/83 - 11/18/83&#13;
Action:&#13;
[x] ACCEPT 11/17/83 &#13;
__ RETURN&#13;
__REJECT&#13;
__Federal Agency:&#13;
&#13;
[ ] resubmission&#13;
[ ] nomination by person or local government&#13;
[ ] owner objection&#13;
[ ] appeal&#13;
Substantive Review:    [ ] sample    [ ] request    [ ] appeal    [ ] NR decision&#13;
&#13;
Reviewer's comments:&#13;
The Apollo Theater is significant for its historical associations with the development of Harlem into the nation's major black cultural and intellectual center.  The statement of significance does not provide adequate justification for architectural significance but mini-&#13;
mally established the exceptional importance of the theater to American history.&#13;
&#13;
Recom./Criteria Accept A&#13;
Reviewer Bushay&#13;
Discipline Historian&#13;
Date 11/17/83&#13;
____see continuation sheet&#13;
&#13;
Nomination returned for:&#13;
___technical corrections cited below&#13;
___substantive reasons discussed below&#13;
1. Name&#13;
2. Location&#13;
3. Classification&#13;
Category&#13;
Ownership&#13;
Status&#13;
Present Use&#13;
Public Acquisition&#13;
Accessible&#13;
4. Owner of Property&#13;
5. Location of Legal Description&#13;
6. Representation in Existing Surveys&#13;
Has this property been determined eligible? [  ] yes      [  ] no&#13;
7. Description&#13;
Condition&#13;
[  ] excellent&#13;
[  ] good&#13;
[  ] fair&#13;
[  ]deteriorated&#13;
[  ] ruins&#13;
[  ] unexposed&#13;
&#13;
Check one&#13;
[  ]unaltered&#13;
[  ]altered&#13;
&#13;
Check one&#13;
[  ] original site&#13;
[  ] moved            date__________&#13;
&#13;
Describe the present and original (if known) physical appearance&#13;
[  ]summary paragraph&#13;
[  ]completeness&#13;
[  ]clarity&#13;
[  ]alterations/integrity&#13;
[  ]dates&#13;
[  ] boundary selection&#13;
&#13;
8. Significance&#13;
Period             Areas of Significance-Check and justify below&#13;
Specific dates          Builder/Architect&#13;
&#13;
Statement of Significance (in one paragraph)&#13;
[  ] summary paragraph&#13;
[  ] completeness&#13;
[  ] clarity&#13;
[  ] applicable criteria&#13;
The initial significance of the Apollo Theatre is its historical associations with the emergence of Harlem in the 1930s as a black cultural mecca. The direct role the theater played in the literary,&#13;
artistic and cultural lives of black Americans has not been discussed&#13;
justification of areas checked&#13;
at a national level of significance. In addition, events after 1935&#13;
relating significance to the resource&#13;
were not demonstrated to be exceptionally significant and lack&#13;
context&#13;
both geographic and thematic context. In this case the nomination&#13;
relationship of integrity to significance&#13;
was acceptable for its obvious local significance, but it did&#13;
justification of exception&#13;
not do justice to the resource.&#13;
other&#13;
9. Major Bibliographical References&#13;
10. Geographical Data&#13;
Acreage of nominated property&#13;
Quadrangle name&#13;
UTM References&#13;
Verbal boundary description and justification&#13;
11. Form Prepared By&#13;
12. State Historic Preservation Officer Certification&#13;
The evaluated significance of this property within the state is:&#13;
national&#13;
state&#13;
local&#13;
State Historic Preservation Officer signature&#13;
title&#13;
date&#13;
13. Other&#13;
Maps&#13;
Photographs&#13;
Other&#13;
Questions concerning this nomination may be directed to&#13;
Signed&#13;
Date&#13;
Phone:&#13;
Comments for any item may be continued on an attached sheet&#13;
&#13;
NEW YORK LANDMARKS CONSERVANCY&#13;
Apollo Theatre&#13;
253 West 125th Street&#13;
New York, New York County, N.Y.&#13;
photo 1&#13;
Photographer: Carl Forester&#13;
Date Taken: October 1981&#13;
Negative filed at: New York City&#13;
Landmarks Preservation Commission&#13;
View looking north along W. 125th St.&#13;
&#13;
New York Landmarks Conservancy&#13;
Broadway&#13;
New York, New York 10004&#13;
&#13;
LANDMARKS&#13;
Apollo Theatre&#13;
253 West 125th Street&#13;
CONSERVANCY&#13;
New York, New York County, N.Y.&#13;
photo 2&#13;
Photographer: Carl Forester&#13;
Date Taken: October 1981&#13;
Negative filed at: New York City&#13;
Landmarks Preservation Commission&#13;
Interior view of stage, looking east&#13;
New York Landmarks Conservancy&#13;
330 West® 42nd Street&#13;
330 W. 42nd Street&#13;
New York, New York 10036v York, New York 10036&#13;
212-736-7575&#13;
212-736-7575&#13;
UT&#13;
L&#13;
NEW YORK&#13;
Apollo Theater&#13;
LANDMARKS&#13;
253 West 125th Street&#13;
CONSERVANCY&#13;
New York, New York County, N.Y.&#13;
photo 3&#13;
Photographer: Carl Forester&#13;
Date Taken: October 1981&#13;
Negative filed at: New York City&#13;
Landmarks Preservation Commission&#13;
Side boxes&#13;
New York Landmarks Conservancy&#13;
Broadway&#13;
330 W. 42nd Street&#13;
York, New York 10004 New York, New York 10036&#13;
212-426-4085. 212-736-7575&#13;
UNITED STATES&#13;
X&#13;
CENTRAL PARK QUADRANGLE&#13;
DEPARTMENT OF THE INTERIOR&#13;
NEW YORK-NEW JERSEY&#13;
GEOLOGICAL SURVEY&#13;
7.5 MINUTE SERIES (TOPOGRAPHIC)&#13;
74°,00'&#13;
ISADES.&#13;
585000m.E&#13;
YONKERS&#13;
HALL)&#13;
SW/4 HARLEM 15' QUADRANGLE&#13;
586&#13;
TE&#13;
7 MI&#13;
57'30"&#13;
588&#13;
40°52'30"&#13;
(YONKERS)&#13;
590&#13;
591&#13;
55&#13;
593&#13;
2030000 FEET (N.Y.)&#13;
73°52'30"&#13;
40°52'30"&#13;
4525000m.N&#13;
ENGI&#13;
Englewood&#13;
4525&#13;
Tubby Hook&#13;
Englewood&#13;
Sewage&#13;
Bedford&#13;
Cliffs&#13;
\Park&#13;
Yicht&#13;
NEW&#13;
740 000&#13;
LEONIA&#13;
Linwood&#13;
CRMAN&#13;
4524&#13;
L&#13;
AS&#13;
230 000 FEET&#13;
(N.Y.)&#13;
4523&#13;
Hazard&#13;
SHAN&#13;
Beach&#13;
4523&#13;
4&#13;
Hospital&#13;
FORT LEE&#13;
Point&#13;
Morris&#13;
Heights&#13;
Tremont&#13;
PALISADES PARK&#13;
Park.&#13;
Lcal&#13;
4522&#13;
B&#13;
MI.&#13;
PS&#13;
Playg&#13;
B&#13;
0&#13;
N&#13;
Club&#13;
4521&#13;
Bridge&#13;
95&#13;
.&#13;
50'&#13;
4&#13;
Monroe&#13;
Apollo Theater&#13;
253 West 125th Street&#13;
New York County, New York&#13;
UTM Reference:&#13;
dgewater&#13;
Central Park Quad&#13;
4520&#13;
All Zone 18&#13;
Seb&#13;
Easting&#13;
588550&#13;
Northing 4517990&#13;
CLIFFSIDE PARK&#13;
NEW&#13;
H90&#13;
M&#13;
H&#13;
4519&#13;
FAIRVIEW&#13;
Bronx&#13;
Fire Sta&#13;
Sch&#13;
Park&#13;
EDGE&#13;
Girlst&#13;
Monastery&#13;
WE&#13;
Hunts Point&#13;
FLUS&#13;
(FLUSHING)&#13;
6265&#13;
4518&#13;
Sewage&#13;
Disposal&#13;
Port&#13;
North Brother&#13;
Light&#13;
4517&#13;
Bron:&#13;
Barretto&#13;
FERRY&#13;
Hunts&#13;
4517&#13;
Harlem&#13;
Randalls&#13;
Island&#13;
Stony&#13;
Pt&#13;
V&#13;
PARK&#13;
Brother&#13;
4516&#13;
ME&#13;
47'30"&#13;
Leight&#13;
Lawrence&#13;
47'30"&#13;
Point&#13;
4516&#13;
ISLAND&#13;
GUTTENBERG&#13;
NEW YORK&#13;
RESERVOIR&#13;
THE&#13;
IN&#13;
BRONX&#13;
CO&#13;
02&#13;
RIKE&#13;
TORA&#13;
Hayden&#13;
CHANNEL&#13;
Substation&#13;
4515&#13;
Light&#13;
Gate&#13;
Historical&#13;
I&#13;
Light&#13;
Tidal Flat _&#13;
Hell&#13;
Hallets&#13;
Pot&#13;
Bowery&#13;
Bay&#13;
LA GUARD&#13;
Doctors&#13;
GEN&#13;
E&#13;
AIRPORT&#13;
200 000&#13;
190&#13;
Steinway&#13;
(N.&#13;
Com&#13;
ark&#13;
Ai&#13;
erminal&#13;
TUNNEL&#13;
4&#13;
Halles&#13;
Cove&#13;
#Fire&#13;
North&#13;
APS 83&#13;
4513&#13;
EME&#13;
#&#13;
U&#13;
E&#13;
N&#13;
S&#13;
OF&#13;
T&#13;
YORK&#13;
PS151&#13;
Heights&#13;
WEST&#13;
Long&#13;
4512000m.N&#13;
THE&#13;
700 000 FEET&#13;
(N.J.)&#13;
NATION&#13;
40°45'&#13;
74°00'&#13;
HOLLAND&#13;
TUNNEL&#13;
2010 000&#13;
FEET&#13;
(N&#13;
Y.)&#13;
57'30&#13;
589&#13;
(BROOKL&#13;
MIDTOWN&#13;
7.7&#13;
591&#13;
55'&#13;
2210000&#13;
FEE&#13;
593&#13;
40°45'&#13;
6265&#13;
Mapped edited and published by the Geological Survey&#13;
BRIDGE&#13;
594000m.E.&#13;
73°52'30"&#13;
GERREY CITY&#13;
SCALE 1:24000&#13;
Revised in cooperation with New York&#13;
MILE&#13;
Department of Transportation&#13;
ROAD CLASSIFICATION&#13;
1000&#13;
1000&#13;
2000&#13;
3000&#13;
4000&#13;
5000&#13;
6000&#13;
7000 FEET&#13;
Control by USGS, USC&amp;GS, and New Jersey Geodetic Survey&#13;
Heavy duty&#13;
Light-duty&#13;
KILOMETER&#13;
Planimetry by photogrammetric methods and from USC&amp;GS Charts T-4567,&#13;
Medium-duty&#13;
Unimproved dirt&#13;
T-5089 T-5264, T-5278, T-5448, T-5449, T-5451, T-5452, T-5453, T-5458,&#13;
213 MILS&#13;
CONTOUR INTERVAL 10 FEET&#13;
12 MILS&#13;
and T-5778. Topography by photogrammetric methods from aerial photographs&#13;
NATIONAL GEODETIC VERTICAL DATUM OF 1929&#13;
Interstate Route&#13;
U.S. Route&#13;
State Route&#13;
taken 1954 and planetable surveys 1956&#13;
DEPTH CURVES AND SOUNDINGS IN IS MEAN LOW WATER&#13;
RELATIONSHIP BETWEEN THE DATUMS IS VARIABLE&#13;
NEW YORK&#13;
Revised from aerial photographs taken 1966. Field checked 1966&#13;
UTM GRID AND 1979 NORTH&#13;
SHORELINE SHOWN REPRESENTS THE APPROXMATE LINE OF MEAN HIGH WATER&#13;
Selected hydrographic data compiled from USC&amp;GS Charts 226, 274, 745,&#13;
DECLINATION AT CENTER OF SHEET&#13;
THE AVERAGE RANGE OF TIDE APPROXIMATELY FEET&#13;
CENTRAL PARK, N.Y.-N.J.&#13;
4 FEET IN THE HUDSON RIVER AND 5. FEET IN THF EAST RIVER&#13;
746, and 74 (1966). This information s'not intended for navigational purposes&#13;
QUADRANGLE LOCATION&#13;
SW/4 HARLEM 15' QUADRANOLE&#13;
Polyconic projection. 1927 North American datum&#13;
THIS MAP COMPLIES WITH NATIONAL MAP ACCURAGY STANDARDS&#13;
Revisions shown in purple compiled from aerial photographs&#13;
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FOR SALE BY U. GEOLOGICAL SURIEY RESTON, VIRGINIA 22092&#13;
taken 1977 and other source data This information&#13;
and New Jersey coordinate system&#13;
A FOLDER DESCRIBING TOPOGRAPHIC MAPS AND SYMBOLS IS AVAILABLE ON REQUEST&#13;
1966&#13;
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AMS 6265 IV SW-SERIES V821&#13;
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the National or State reservations shown</text>
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                  <text>Diego Montes, Eva Ruiz, Enluis Montes, Sebastian Ocando, Ty Gable.</text>
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                <text>A black-and-white image of the Columbus Symphony Orchestra's inaugural concert in 1907. Musicians sit in formal attire with their instruments poised, while the conductor stands at center stage mid-gesture. The stage is framed by ornate drapery, and soft lighting highlights the historic moment as the city's first professional orchestra begins its legacy</text>
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                <text>“The Columbus Symphony: A Look,” The Columbus Dispatch, April 28, 2008, photo gallery, accessed October 12, 2025, https://www.dispatch.com/picture-gallery/news/local/2008/04/28/the-columbus-symphony-a-look/546188007/</text>
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                <text>Logan Gordy</text>
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                <text>Yinuo Chen</text>
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                <text>Chattahoochee Valley Libraries. (2022). Downtown. Columbus, Georgia: Hear Us Talking. Retrieved September 28, 2025, from https://georgialibraries.omeka.net/s/CVL-Columbus-Georgia-Hear-Us-Talking/page/downtown</text>
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