184 20 3886 https://digitalarchives.columbusstate.edu/files/original/97b3b93220a085c8278b428731d0c7f0.JPG 25bbbc71395ffb5be15dfc9ab81fb284 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0048 Title A name given to the resource Untitled Description An account of the resource Three female musicians and one female dancer performing under a pavilion on a rectangular-tiled floor which mirrors the ceiling. Clouds and a treeline appear in the background. Framed and matted. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower left. Format The file format, physical medium, or dimensions of the resource 29" x 22" Medium The material or physical carrier of the resource. Work on paper. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/50ea32d43fadff94d1ab0fdc4371adb4.JPG 497504ec32af21bfa891c5ded72dbc76 https://digitalarchives.columbusstate.edu/files/original/ed7070a3706a466bd706f5256ecf14e2.JPG 9222d46a69360e49dc33954eb847bfed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0049 Title A name given to the resource Untitled Description An account of the resource Outdoor scene of a standing female, possibly doing laundry, with two wooden tubs on a table. An urn-shaped pot is on a fire in the immediate background. Rustic, carved wood-plank frame. Decorative design on cardboard backing sheet, on reverse. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower right. Format The file format, physical medium, or dimensions of the resource 26" x 30.25" Medium The material or physical carrier of the resource. Mixed media on paper. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/5d332de235ec9f5a389801fd64d5f609.JPG aac3e6b3f7d63947e48e790c533f8c86 https://digitalarchives.columbusstate.edu/files/original/a638a9ebc0750ca695544efab3bf9e77.JPG 9dfa589357efc5bf5b874c1a99ed8b07 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0050 Title A name given to the resource Untitled Description An account of the resource Front: Landscape depicting 2-3 Pasaquoyan structures, with a tree and plant in the foreground and mountains in the background. Limited colour palette. Almost abstract in initial appearance. Reverse: Floral depiction with four red flower buds. Remaining painting is primarily executed in blue and white, including the foliage of the flowers. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower left, on front. Format The file format, physical medium, or dimensions of the resource 46" x 26" Medium The material or physical carrier of the resource. Oil on plywood. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/bf212b3d5ec881b9cf6f2ffcb4bca999.JPG 79d75f2f4cb1b568328ea6012a2a6d00 https://digitalarchives.columbusstate.edu/files/original/c1578a8fa73790339f3c2617c639c661.JPG 675fb18e1e0cc255a661d877735b9b6a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0052 Title A name given to the resource Untitled Description An account of the resource Pasaquoyan family in a forest. Rustic, carved wood-plank frame. Decorative design on cardboard backing, on reverse. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower right. Format The file format, physical medium, or dimensions of the resource 28" x 33" Medium The material or physical carrier of the resource. Watercolour on paper. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/0c7d496f8d5a1c67c9d4bfca6325a204.JPG e97f0dc72580181ea21d7e308059c0f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0053 Title A name given to the resource Untitled Description An account of the resource Two superimposed, black figures in center of painting, holding an almost Shiva-like pose. Large white face on left edge of painting above a partly obscured lilac face. Three "shields" are in the immediate foreground, with the two to each side bearing eyes among their decoration. The background is either abstract or unfinished, and is primarily scarlet in colour. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned. Format The file format, physical medium, or dimensions of the resource 48" x 48" Medium The material or physical carrier of the resource. Oil on plywood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/17c08c9e70782d5583e947d1bfde626b.JPG c089856b4db2a78842050643bde8929a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0054 Title A name given to the resource Untitled Description An account of the resource Primarily red, yellow, and brown depiction of a Pasaquoyan ritual object. Three eyes and a candle adorn a largely crescent-shaped object. Deeply set within a white and black frame. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower right Format The file format, physical medium, or dimensions of the resource Approximately 8" x 10", including frame. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/f810fedf273b52e3ca95096677722fc0.JPG d3944711f623349b2920855b96e5370c https://digitalarchives.columbusstate.edu/files/original/1fd0f2690b469a37e72f3d29b5b51c47.JPG 6398254416648ca2723107bf311abcb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0056 Title A name given to the resource Untitled Description An account of the resource Small wooden disk painted with a cabin set in a wooded landscape. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter, and 1" thick. Medium The material or physical carrier of the resource. Oil on wood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/9754d8346e8a7699c7dfbf1f7f6e5864.JPG d32e5efb9b30cb3a267bc81434dcc642 https://digitalarchives.columbusstate.edu/files/original/def17fb53fe41d397da686f4fc9457cb.JPG ba0ceb72658dd2453252779f95688cee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0057 Title A name given to the resource Untitled Description An account of the resource Decorative pattern painted onto a small wood disk. Date A point or period of time associated with an event in the lifecycle of the resource No date Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter and 1" thick. Medium The material or physical carrier of the resource. Oil on wood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/a1dbadcb9c217336b174a51976149c1b.JPG ebffdc63d11f7a000dd7b3bc783f524c https://digitalarchives.columbusstate.edu/files/original/29fc64f67a8bf38bf78ec3e92d8f8964.JPG 5cce037ab33a8a06d4a92ebc483b383f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0058 Title A name given to the resource Untitled Description An account of the resource Decorative pattern in red, green, black, and blue on a small wood disc. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter and 1" in thickness. Medium The material or physical carrier of the resource. Oil on wood. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/bdc1035157f0921a1425c77465cfb737.JPG 921108190c2d5c17337295d543a31c38 https://digitalarchives.columbusstate.edu/files/original/6c759ce1dbc77971c7f5f19b381955ea.JPG 4ed79c2248467c434b47276577e660a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0059 Title A name given to the resource Untitled Description An account of the resource Landscape scene with sunset, trees, and a cabin on a small wooden disc. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter and 1" in thickness. Medium The material or physical carrier of the resource. Oil on wood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/f58bb1bbc9b18df9e89d163901639032.jpg dcecb887f63e70b11a16a3fbfa03024c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ivey Center Collection (MC 323) Date A point or period of time associated with an event in the lifecycle of the resource 1953-1988 Identifier An unambiguous reference to the resource within a given context MC 323 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Slide Physical Dimensions The actual physical size of the original image 2 in. x 2 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untouchables Subject The topic of the resource Ivey Center Description An account of the resource Photo of Untouchables Creator An entity primarily responsible for making the resource Ivey Center Publisher An entity responsible for making the resource available Ivey Center Date A point or period of time associated with an event in the lifecycle of the resource August 1971 Identifier An unambiguous reference to the resource within a given context Box 1 - Container 6 - Slide 13 Educational Resource Ivey Center Slide https://digitalarchives.columbusstate.edu/files/original/b7bf2d95375ceccfb6f896f20539074c.jpg 73afc60f4f7fb32a77bacada338cd5b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Columbus State University Collection (MC 5) Description An account of the resource The CSU Collection consist of over 150 linear feet of material and is arranged into 14 separate Record Groups. Each Record Group reflects the Columbus State University's organizational hierarchy with minor variations being made to facilitate future accessions. Materials in the collection document the rich and proud tradition of education and public service of Columbus College/Columbus State University, 1958 - present. Source A related resource from which the described resource is derived http://archives.columbusstate.edu/findingaids/mc5.php Date A point or period of time associated with an event in the lifecycle of the resource 1958-Present Identifier An unambiguous reference to the resource within a given context MC 5 Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: Columbus State University Collection (MC 5) Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 6 x 4 Coloration Is the photograph black and white or in color color Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Unveiling of the Genetics and Molecular Biology Laboratory Description An account of the resource Professor Flora M. Clark unveils the laboratory named in honor. Located in MC5 Box4 M F16 Date A point or period of time associated with an event in the lifecycle of the resource April 30, 1999 Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: Columbus State University Collection (MC 5) Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. 1990's Columbus State University dedication laboratory unveiling https://digitalarchives.columbusstate.edu/files/original/26ce6807b629e9ec49e14c3fb2adec64.jpg 47cb5663df4955af3d36df2e3cd1eae8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 197 Title A name given to the resource John S. Lupold Collection Photographs (MC 197) Description An account of the resource A collection of photographs from the John S. Lupold Collection (MC 197). Date A point or period of time associated with an event in the lifecycle of the resource 1970s - 2010s Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: John S. Lupold Collection (MC 197) Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Columbus, Georgia Subject The topic of the resource Local History; Chattahoochee Valley Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc197.php" target="_blank">John S. Lupold Collection (MC 197)</a> Relation A related resource <a href="https://galileo-usg-csu-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=requestTab&amp;ct=display&amp;fn=search&amp;doc=01GALI_USG_ALMA71135039320002931&amp;indx=4&amp;recIds=01GALI_USG_ALMA71135039320002931&amp;recIdxs=3&amp;elementId=3&amp;renderMode=poppedOut&amp;displayMode=full&amp;frbrVersion=&amp;frbg=&amp;&amp;dscnt=0&amp;vl(1UIStartWith0)=contains&amp;scp.scps=scope%3A%28CSU%29&amp;tb=t&amp;vid=CSU_V1&amp;mode=Basic&amp;srt=rank&amp;tab=default_tab&amp;dum=true&amp;vl(freeText0)=lupold&amp;dstmp=1525964552160" target="_blank"><em>Columbus, Georgia: 1828 - 1978</em></a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 5.25" x 4.25" Coloration Is the photograph black and white or in color Black and White Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC197-1-005 Title A name given to the resource Urban Development Description An account of the resource Photo of Old Public Library used as office space for Fieldcrest Mills. Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: John S. Lupold Collection (MC 197) Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Columbus, Georgia Subject The topic of the resource Mills; Libraries Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc197.php" target="_blank">John S. Lupold Collection (MC 197)</a> Relation A related resource <a href="https://galileo-usg-csu-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/display.do?tabs=requestTab&amp;ct=display&amp;fn=search&amp;doc=01GALI_USG_ALMA71135039320002931&amp;indx=4&amp;recIds=01GALI_USG_ALMA71135039320002931&amp;recIdxs=3&amp;elementId=3&amp;renderMode=poppedOut&amp;displayMode=full&amp;frbrVersion=&amp;frbg=&amp;&amp;dscnt=0&amp;vl(1UIStartWith0)=contains&amp;scp.scps=scope%3A%28CSU%29&amp;tb=t&amp;vid=CSU_V1&amp;mode=Basic&amp;srt=rank&amp;tab=default_tab&amp;dum=true&amp;vl(freeText0)=lupold&amp;dstmp=1525964552160" target="_blank"><em>Columbus, Georgia: 1828 - 1978</em></a> Carnegie Fieldcrest Mills old public library Photograph https://digitalarchives.columbusstate.edu/files/original/dd0c6223e67a68763c0f020f5c781f2a.pdf 4c9fdc04ccb2f3b85fd786c80e63e342 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 326 Title A name given to the resource International Trumpet Guild Special Collection 2 - Gilbert Mitchell Description An account of the resource 2 Boxes Contributor An entity responsible for making contributions to the resource Chris Thomas Dylan Lee Boyd Stevie Vought Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC326-SC2-2 Title A name given to the resource Ureneli am Thunersee Polka-Idyll Description An account of the resource Solo Piece for Cornet by. W. Schleidt Creator An entity primarily responsible for making the resource W. Schleidt Type The nature or genre of the resource Trumpet Solo brass Gil Mitchell Gilbert Mitchell International Trumpet Guild ITG trumpet trumpet guild https://digitalarchives.columbusstate.edu/files/original/26fda4f7b75eb33c184831c516a28c93.jpg 5da8d644b010a125bdada09a7b9fd068 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Coloration Is the photograph black and white or in color Black and white Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource USA. NYC. Harlem/Apollo Theater. New York City. Harlem. 1987. Amateur night at the Apollo Theater. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Creator An entity primarily responsible for making the resource Eli Reed Extent The size or duration of the resource. 117 KB Format The file format, physical medium, or dimensions of the resource JPG File Medium The material or physical carrier of the resource. Photograph Rights Information about rights held in and over the resource ©Eli Reed / Magnum Photos; Contact information: Mark Lubell, Bureau Chief, Magnum Photos, 151 West 25th Street, New York, New York 10001-7204 Publisher An entity responsible for making the resource available JSTOR Contributor An entity responsible for making contributions to the resource Kyra Strakes Source A related resource from which the described resource is derived https://www.jstor.org/stable/community.9752648 Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Eli Reed. USA. NYC. Harlem/Apollo Theater. New York City. Harlem. 1987. Amateur Night at the Apollo Theater. 1987. JSTOR, https://jstor.org/stable/community.9752648. Accessed 27 Oct. 2025. 1980's Apollo Theater Liberty Theater Liberty Theatre https://digitalarchives.columbusstate.edu/files/original/4b0b3e40b55fe8bdbdabfef656d2857e.jpg 292c905703d110ce28d1b9b89657bc89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documenting Covid-19 in the Chattahoochee Valley Description An account of the resource A collaborative community wide project to document and share local stories and experiences during the Covid-19 pandemic of 2020. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Use the Stairs Description An account of the resource New signage leading into the stairwell in the Library. Signs are part of CSU's Covid-19 Information Initiative. Date A point or period of time associated with an event in the lifecycle of the resource July 1, 2020 Creator An entity primarily responsible for making the resource Jessie Merrell Columbus State University Covid-19 Library Simon Schwob Memorial Library social distancing https://digitalarchives.columbusstate.edu/files/original/19779fd3225299e15f5aa81d9e8b0b8b.jpg 96061ee5b79c5f09efa3355cdad85dce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Columbus State University Collection (MC 5) Description An account of the resource The CSU Collection consist of over 150 linear feet of material and is arranged into 14 separate Record Groups. Each Record Group reflects the Columbus State University's organizational hierarchy with minor variations being made to facilitate future accessions. Materials in the collection document the rich and proud tradition of education and public service of Columbus College/Columbus State University, 1958 - present. Source A related resource from which the described resource is derived http://archives.columbusstate.edu/findingaids/mc5.php Date A point or period of time associated with an event in the lifecycle of the resource 1958-Present Identifier An unambiguous reference to the resource within a given context MC 5 Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: Columbus State University Collection (MC 5) Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 6 Coloration Is the photograph black and white or in color color Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valerie Farlow Description An account of the resource Valerie Farlow, professor of literature, posing for her portrait. Located in MC5 Box4 M F.7. Date A point or period of time associated with an event in the lifecycle of the resource unknown Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: Columbus State University Collection (MC 5) Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. Columbus State University faculty Literature https://digitalarchives.columbusstate.edu/files/original/8c43e0210e8e1663e0b3657184f51be8.pdf fe7f021c0c869cb66eb92666364cfebe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 326 Title A name given to the resource International Trumpet Guild Special Collection 2 - Gilbert Mitchell Description An account of the resource 2 Boxes Contributor An entity responsible for making contributions to the resource Chris Thomas Dylan Lee Boyd Stevie Vought Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC326-SC2-2 Title A name given to the resource Variation Brillantes Description An account of the resource Solo for Cornet and Piano Cornet a Pistons in B Solo, by Fr. Hering Creator An entity primarily responsible for making the resource Fr. Hering Type The nature or genre of the resource Trumpet Solo brass Gil Mitchell Gilbert Mitchell International Trumpet Guild ITG trumpet trumpet guild https://digitalarchives.columbusstate.edu/files/original/b6b16ec73c68dfb7c42444296354bf6a.pdf e4ba7bd80f6743ff666d0b71b6739064 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 326 Title A name given to the resource International Trumpet Guild Special Collection 2 - Gilbert Mitchell Description An account of the resource 2 Boxes Contributor An entity responsible for making contributions to the resource Chris Thomas Dylan Lee Boyd Stevie Vought Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC326-SC2-2 Title A name given to the resource Variationen fur Piston in B Description An account of the resource Solo Piece for Cornet and Piano by W. Levermann in Solo-Piecen fur Cornet a Piston Creator An entity primarily responsible for making the resource W. Levermann Type The nature or genre of the resource Trumpet Solo brass Gil Mitchell Gilbert Mitchell International Trumpet Guild ITG trumpet trumpet guild https://digitalarchives.columbusstate.edu/files/original/1bffca9c0469591609815ada67805180.jpg b8f31f45531f31fa9b5041858abead01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ivey Center Collection (MC 323) Date A point or period of time associated with an event in the lifecycle of the resource 1953-1988 Identifier An unambiguous reference to the resource within a given context MC 323 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Slide Physical Dimensions The actual physical size of the original image 2 in. x 2 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vase Subject The topic of the resource Ivey Center Description An account of the resource Egyptian Vase Creator An entity primarily responsible for making the resource Ivey Center Publisher An entity responsible for making the resource available Ivey Center Date A point or period of time associated with an event in the lifecycle of the resource August 1971 Identifier An unambiguous reference to the resource within a given context Box 1 - Container 7 - Slide 12 Educational Resource Ivey Center Slide