165 20 3886 https://digitalarchives.columbusstate.edu/files/original/a6a4b47ef36232a171965ac4316a4ae5.jpg 92d296f53c1eacb496b3b27681103cbb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Historical Photograph Collection Description An account of the resource A collection of historical photographs of Columbus and the surrounding Chattahoochee Valley. Date A point or period of time associated with an event in the lifecycle of the resource 1800s - Present Extent The size or duration of the resource. 5 l.f. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 10" x 8" Coloration Is the photograph black and white or in color Black and White Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context F7-25 Title A name given to the resource The Battle of Girard also known as the Battle of Columbus, Georgia Description An account of the resource Old Breastworks on Alabama Hills near Columbus - is often called the last battle of Civil Was was fought. April 16, 1865. Girard was what is known now as Phenix City, Alabama Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: Historical Photograph Collection Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Phenix City, Alabama Subject The topic of the resource Civil War Publisher An entity responsible for making the resource available The Columbus Ledger and The Columbus Enquirer-Sun Centential Edition later to become The Columbus Ledger Enquirer Source A related resource from which the described resource is derived Copy of image found in Archives F 294. C7 C6 1928 V. 2 and Archives F 294. C7 C6 1928 V. 3 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This image is found in a bound collection donated by the Muscogee County Public Library when it closed its archives. Alabama Hills Battle of Columbus Georgia Battle of Girard Civil War battles F.G. Power Old Breastworks Photograph https://digitalarchives.columbusstate.edu/files/original/1d21fb73fe35465efb40eeb17a76f498.jpg 97cebecac93cb2667f88f68c8a7005bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Historical Photograph Collection Description An account of the resource A collection of historical photographs of Columbus and the surrounding Chattahoochee Valley. Date A point or period of time associated with an event in the lifecycle of the resource 1800s - Present Extent The size or duration of the resource. 5 l.f. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 10" x 8" Coloration Is the photograph black and white or in color Black and White Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context F7-24 Title A name given to the resource Third National Bank Building. Columbus, Georgia Description An account of the resource 1928 - Columbus Bank & Trust Company, 3rd National Bank Building - 11th Street and 1st Avenue Date A point or period of time associated with an event in the lifecycle of the resource 1920s Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: Historical Photograph Collection Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Columbus, Georgia Subject The topic of the resource Third National Bank Publisher An entity responsible for making the resource available The Columbus Ledger and The Columbus Enquirer-Sun Centential Edition later to become The Columbus Ledger Enquirer Source A related resource from which the described resource is derived Copy of image found in Archives F 294. C7 C6 1928 V. 2 and Archives F 294. C7 C6 1928 V. 3. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This image is found in a bound collection donated by the Muscogee County Public Library when it closed its archives. 11th Street and 1st Avenue Banks Columbus Columbus Bank & Trust Company Photograph https://digitalarchives.columbusstate.edu/files/original/f7c9ee1f624a9b301fdc8f826da7f554.jpg d0ae43df29ff0727c451e405aabfdb85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Historical Photograph Collection Description An account of the resource A collection of historical photographs of Columbus and the surrounding Chattahoochee Valley. Date A point or period of time associated with an event in the lifecycle of the resource 1800s - Present Extent The size or duration of the resource. 5 l.f. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 10" x 6" Coloration Is the photograph black and white or in color Black and White Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context F7-21 Title A name given to the resource Early Gridlock Description An account of the resource Photo Broadway Central Business District traffic Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: Historical Photograph Collection Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Columbus, Georgia Subject The topic of the resource Vehicle traffic Publisher An entity responsible for making the resource available The Columbus Ledger and The Columbus Enquirer-Sun Centential Edition later to become The Columbus Ledger Enquirer Source A related resource from which the described resource is derived Copy of image found in Archives F 294. C7 C6 1928 V. 2 and Archives F 294. C7 C6 1928 V. 3. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This image is found in a bound collection donated by the Muscogee County Public Library when it closed its archives. Automobiles of the 1900's Broadway Columbus Georgia Business District Photograph Traffic Transportation https://digitalarchives.columbusstate.edu/files/original/1ebbf82b537b1b3a48c3442c80852f3d.jpg 17a6702793e0fb0d55c73bfc0e56381e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Historical Photograph Collection Description An account of the resource A collection of historical photographs of Columbus and the surrounding Chattahoochee Valley. Date A point or period of time associated with an event in the lifecycle of the resource 1800s - Present Extent The size or duration of the resource. 5 l.f. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 10" x 6.875" Coloration Is the photograph black and white or in color Black and White Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context F7-23 Title A name given to the resource City Airport Description An account of the resource Photo of a proposed location of the city airport. Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: Historical Photograph Collection Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Columbus, Georgia Subject The topic of the resource Airports Publisher An entity responsible for making the resource available The Columbus Ledger and The Columbus Enquirer-Sun Centential Edition later to become The Columbus Ledger Enquirer Source A related resource from which the described resource is derived Copy of image found in Archives F 294. C7 C6 1928 V. 2. Relation A related resource <a href="https://archives.columbusstate.edu/findingaids/mc80.php" target="_blank">Pound and Flowers Architects, Drawings (MC 80)</a> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This image is found in a bound collection donated by the Muscogee County Public Library when it closed its archives. Air Fields Air Planes Airports Columbus Georgia Photograph https://digitalarchives.columbusstate.edu/files/original/3b98c535cafe2b446e8972d649e1a8d7.jpg 2be44d9e268873b29d1353993b3588fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Historical Photograph Collection Description An account of the resource A collection of historical photographs of Columbus and the surrounding Chattahoochee Valley. Date A point or period of time associated with an event in the lifecycle of the resource 1800s - Present Extent The size or duration of the resource. 5 l.f. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 10" x 8" Coloration Is the photograph black and white or in color Black and White Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context F7-22 Title A name given to the resource Columbus Coca-Cola Bottling Co. Description An account of the resource Photo of the Columbus Coca-Cola Bottling Company and fleet of trucks Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is: Historical Photograph Collection Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Columbus, Georgia Subject The topic of the resource Coca-Cola Publisher An entity responsible for making the resource available The Columbus Ledger and The Columbus Enquirer-Sun Centennial Edition later to become The Columbus Ledger Enquirer References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Archives F 294. C7 C6 1928 V. 1. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This image is found in a bound collection donated by the Muscogee County Public Library when it closed its archives. Source A related resource from which the described resource is derived Copy of image found in Archives F 294. C7 C6 1928 V. 1. Coca-Cola Bottling Company Coca-Cola History Coca-Cola Shipping Trucks Columbus Roberts Photograph https://digitalarchives.columbusstate.edu/files/original/1fa79c58dffb6271dbfd1ce64ce2cf8d.jpg a68e151097db90f5173f6486364dce39 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 9 Title A name given to the resource Columbus Museum of Arts and Sciences Collection Photographs (MC 9) Description An account of the resource The collection of photographs from Columbus Museum of Arts and Sciences Collection (MC 9) Date A point or period of time associated with an event in the lifecycle of the resource 1790-1971 Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections.  The Archives preferred citation is: Columbus Museum Collection, MC 9 Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection.  The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.    Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Columbus, Georgia Subject The topic of the resource Columbus History Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc9.php" target="_blank">The Columbus Museum Collection (MC 9) </a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 10" x 8" Coloration Is the photograph black and white or in color Black and White Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC9-6-016 Title A name given to the resource Torpedo Description An account of the resource Two copies of a view of an iron cone believed to be of a confederate torpedo. Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections.  The Archives preferred citation is:   Columbus Museum Collection, MC 9 Columbus State University Archives Columbus, Georgia   Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection.  The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.    Subject The topic of the resource Spent torpedo Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This image was donated to the Columbus State University Archives by the Columbus Museum. Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc9.php" target="_blank">Columbus Museum Collection (MC 9)</a> Civil War Confederate CSA Iron Ammunition Torpedo https://digitalarchives.columbusstate.edu/files/original/5f188022d8a426e53a856d33b36c21cf.tif 7ca9937cfb8713392fb6a810f1ddd441 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 9 Title A name given to the resource Columbus Museum of Arts and Sciences Collection Photographs (MC 9) Description An account of the resource The collection of photographs from Columbus Museum of Arts and Sciences Collection (MC 9) Date A point or period of time associated with an event in the lifecycle of the resource 1790-1971 Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections.  The Archives preferred citation is: Columbus Museum Collection, MC 9 Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection.  The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.    Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Columbus, Georgia Subject The topic of the resource Columbus History Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc9.php" target="_blank">The Columbus Museum Collection (MC 9) </a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 8" x 10" Coloration Is the photograph black and white or in color Sepia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC9-4-013 Title A name given to the resource Elk's Club Convention Description An account of the resource Elk's Club Convention - 4th row on right Wm. Cooper Camphill - top row 3rd from right W. R. Sutterall Date A point or period of time associated with an event in the lifecycle of the resource ca. 1900 Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections.  The Archives preferred citation is:   Columbus Museum Collection, MC 9 Columbus State University Archives Columbus, Georgia   Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection.  The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.     Subject The topic of the resource Elk's Club Relation A related resource <a href="https://archives.columbusstate.edu/findingaids/mc63.php" target="_blank">James Floyd Avary Collection (MC 63) </a> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This image was donated to the Columbus State University Archives by the Columbus Museum. Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc9.php" target="_blank">Columbus Museum Collection (MC 9) </a> Elk's Club Fraternal organization W. R. Sutterall William Cooper Camphill https://digitalarchives.columbusstate.edu/files/original/4c81985251ba2a49e8adee63eac53ac1.jpg 90e29a5687b2747afbc5cbae84fce650 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 9 Title A name given to the resource Columbus Museum of Arts and Sciences Collection Photographs (MC 9) Description An account of the resource The collection of photographs from Columbus Museum of Arts and Sciences Collection (MC 9) Date A point or period of time associated with an event in the lifecycle of the resource 1790-1971 Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections.  The Archives preferred citation is: Columbus Museum Collection, MC 9 Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection.  The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.    Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Columbus, Georgia Subject The topic of the resource Columbus History Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc9.php" target="_blank">The Columbus Museum Collection (MC 9) </a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 8" x 6" Coloration Is the photograph black and white or in color Black and White Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC9-2-010 Title A name given to the resource Riverboat M.W. Kelly Description An account of the resource People posing on the deck of the riverboat two of the women's arms are down Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections.  The Archives preferred citation is:   Columbus Museum Collection, MC 9 Columbus State University Archives Columbus, Georgia   Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection.  The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.     Subject The topic of the resource Steamboats Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This image was donated to the Columbus State University Archives by the Columbus Museum. Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc9.php" target="_blank">Columbus Museum Collection (MC 9)</a> Chattahoochee River History M.W. Kelly Photograph River Transportation Riverboats https://digitalarchives.columbusstate.edu/files/original/7b884fd6768f1df0102e2d7beb991f2a.jpg d083d4a2599a7c3b7f2cebd532e0aa42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 9 Title A name given to the resource Columbus Museum of Arts and Sciences Collection Photographs (MC 9) Description An account of the resource The collection of photographs from Columbus Museum of Arts and Sciences Collection (MC 9) Date A point or period of time associated with an event in the lifecycle of the resource 1790-1971 Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections.  The Archives preferred citation is: Columbus Museum Collection, MC 9 Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection.  The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.    Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Columbus, Georgia Subject The topic of the resource Columbus History Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc9.php" target="_blank">The Columbus Museum Collection (MC 9) </a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 10" x 7" Coloration Is the photograph black and white or in color Black and white Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC9-2-008 Title A name given to the resource Tilling Georgia Farm Land Description An account of the resource Georgia farm land being tilled by a man using a plow and a horse. Note on the back of the photograph: "Block or Board generally used in Southern States for covering corn and peas. Seed planted in ridges and cover up 2 rows at a time." Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections.  The Archives preferred citation is:   Columbus Museum Collection, MC 9 Columbus State University Archives Columbus, Georgia   Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection.  The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.     Subject The topic of the resource Agriculture in the South Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This image was donated to the Columbus State University Archives by the Columbus Museum. Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc9.php" target="_blank">Columbus Museum Collection (MC 9)</a> African American History Agriculture Farming Photograph Plow https://digitalarchives.columbusstate.edu/files/original/a1d3012fe6a785cc81ea4178983fb899.jpg e61ebeb93d3543933573ac7175df3375 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 9 Title A name given to the resource Columbus Museum of Arts and Sciences Collection Photographs (MC 9) Description An account of the resource The collection of photographs from Columbus Museum of Arts and Sciences Collection (MC 9) Date A point or period of time associated with an event in the lifecycle of the resource 1790-1971 Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections.  The Archives preferred citation is: Columbus Museum Collection, MC 9 Columbus State University Archives Columbus, Georgia Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection.  The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.    Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Columbus, Georgia Subject The topic of the resource Columbus History Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc9.php" target="_blank">The Columbus Museum Collection (MC 9) </a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image 10" x 8" Coloration Is the photograph black and white or in color Black and white Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC9-1-002 Title A name given to the resource Linwood Cemetery Description An account of the resource Photo of Joe Mahan in Linwood Cemetery at the grave site of James Johnson, Governor of Georgia Date A point or period of time associated with an event in the lifecycle of the resource 1971 Rights Information about rights held in and over the resource By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections.  The Archives preferred citation is:   Columbus Museum Collection, MC 9 Columbus State University Archives Columbus, Georgia   Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection.  The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.    Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This image was donated to the Columbus State University Archives by the Columbus Museum. Rights Holder A person or organization owning or managing rights over the resource. Columbus State University Archives Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Columbus, Georgia Subject The topic of the resource Fences and Cemeteries Source A related resource from which the described resource is derived <a href="https://archives.columbusstate.edu/findingaids/mc9.php" target="_blank">Columbus Museum Collection (MC 9) </a> Columbus Georgia graves Linwood Cemetery men Photograph https://digitalarchives.columbusstate.edu/files/original/bdc1035157f0921a1425c77465cfb737.JPG 921108190c2d5c17337295d543a31c38 https://digitalarchives.columbusstate.edu/files/original/6c759ce1dbc77971c7f5f19b381955ea.JPG 4ed79c2248467c434b47276577e660a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0059 Title A name given to the resource Untitled Description An account of the resource Landscape scene with sunset, trees, and a cabin on a small wooden disc. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter and 1" in thickness. Medium The material or physical carrier of the resource. Oil on wood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/a1dbadcb9c217336b174a51976149c1b.JPG ebffdc63d11f7a000dd7b3bc783f524c https://digitalarchives.columbusstate.edu/files/original/29fc64f67a8bf38bf78ec3e92d8f8964.JPG 5cce037ab33a8a06d4a92ebc483b383f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0058 Title A name given to the resource Untitled Description An account of the resource Decorative pattern in red, green, black, and blue on a small wood disc. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter and 1" in thickness. Medium The material or physical carrier of the resource. Oil on wood. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/9754d8346e8a7699c7dfbf1f7f6e5864.JPG d32e5efb9b30cb3a267bc81434dcc642 https://digitalarchives.columbusstate.edu/files/original/def17fb53fe41d397da686f4fc9457cb.JPG ba0ceb72658dd2453252779f95688cee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0057 Title A name given to the resource Untitled Description An account of the resource Decorative pattern painted onto a small wood disk. Date A point or period of time associated with an event in the lifecycle of the resource No date Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter and 1" thick. Medium The material or physical carrier of the resource. Oil on wood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/f810fedf273b52e3ca95096677722fc0.JPG d3944711f623349b2920855b96e5370c https://digitalarchives.columbusstate.edu/files/original/1fd0f2690b469a37e72f3d29b5b51c47.JPG 6398254416648ca2723107bf311abcb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0056 Title A name given to the resource Untitled Description An account of the resource Small wooden disk painted with a cabin set in a wooded landscape. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter, and 1" thick. Medium The material or physical carrier of the resource. Oil on wood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/cba5fb92515a836927d3d237fc110d43.JPG c3bf673f93ac3313c0887ab0829b1c94 https://digitalarchives.columbusstate.edu/files/original/5bad6528319c74b20b721a7ddee70e0a.JPG f1c3e7304dbcdd094d33a6978f6e4d19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0055 Title A name given to the resource "Trade Sign" Description An account of the resource Round sign with a red and black diamond and spiral motif in the center. It read: " Pasaquan- Afro- American- Indian- Nature- Corporative" around the perimeter, just inside a scalloped aluminum edging. Label on reverse from previous exhibit at the Columbus Museum. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 12" in diameter, and 3/4" thick. Medium The material or physical carrier of the resource. Oil on plywood with aluminum sheet border. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/17c08c9e70782d5583e947d1bfde626b.JPG c089856b4db2a78842050643bde8929a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0054 Title A name given to the resource Untitled Description An account of the resource Primarily red, yellow, and brown depiction of a Pasaquoyan ritual object. Three eyes and a candle adorn a largely crescent-shaped object. Deeply set within a white and black frame. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower right Format The file format, physical medium, or dimensions of the resource Approximately 8" x 10", including frame. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/0c7d496f8d5a1c67c9d4bfca6325a204.JPG e97f0dc72580181ea21d7e308059c0f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0053 Title A name given to the resource Untitled Description An account of the resource Two superimposed, black figures in center of painting, holding an almost Shiva-like pose. Large white face on left edge of painting above a partly obscured lilac face. Three "shields" are in the immediate foreground, with the two to each side bearing eyes among their decoration. The background is either abstract or unfinished, and is primarily scarlet in colour. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned. Format The file format, physical medium, or dimensions of the resource 48" x 48" Medium The material or physical carrier of the resource. Oil on plywood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/bf212b3d5ec881b9cf6f2ffcb4bca999.JPG 79d75f2f4cb1b568328ea6012a2a6d00 https://digitalarchives.columbusstate.edu/files/original/c1578a8fa73790339f3c2617c639c661.JPG 675fb18e1e0cc255a661d877735b9b6a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0052 Title A name given to the resource Untitled Description An account of the resource Pasaquoyan family in a forest. Rustic, carved wood-plank frame. Decorative design on cardboard backing, on reverse. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower right. Format The file format, physical medium, or dimensions of the resource 28" x 33" Medium The material or physical carrier of the resource. Watercolour on paper. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/5d332de235ec9f5a389801fd64d5f609.JPG aac3e6b3f7d63947e48e790c533f8c86 https://digitalarchives.columbusstate.edu/files/original/a638a9ebc0750ca695544efab3bf9e77.JPG 9dfa589357efc5bf5b874c1a99ed8b07 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0050 Title A name given to the resource Untitled Description An account of the resource Front: Landscape depicting 2-3 Pasaquoyan structures, with a tree and plant in the foreground and mountains in the background. Limited colour palette. Almost abstract in initial appearance. Reverse: Floral depiction with four red flower buds. Remaining painting is primarily executed in blue and white, including the foliage of the flowers. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower left, on front. Format The file format, physical medium, or dimensions of the resource 46" x 26" Medium The material or physical carrier of the resource. Oil on plywood. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/50ea32d43fadff94d1ab0fdc4371adb4.JPG 497504ec32af21bfa891c5ded72dbc76 https://digitalarchives.columbusstate.edu/files/original/ed7070a3706a466bd706f5256ecf14e2.JPG 9222d46a69360e49dc33954eb847bfed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0049 Title A name given to the resource Untitled Description An account of the resource Outdoor scene of a standing female, possibly doing laundry, with two wooden tubs on a table. An urn-shaped pot is on a fire in the immediate background. Rustic, carved wood-plank frame. Decorative design on cardboard backing sheet, on reverse. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower right. Format The file format, physical medium, or dimensions of the resource 26" x 30.25" Medium The material or physical carrier of the resource. Mixed media on paper. Eddie Owens Martin Painting Pasaquan St. EOM