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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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              <text>Sullivan reading letters:&#13;
&#13;
April 1, 1946 [conclusion] from Christine Noble Govan about Wilson's review of Member&#13;
&#13;
letter from Kenneth S. Sagen to Edmund Wilson excoriating his review&#13;
&#13;
April 2, 1946 letter from Leonard Erving to Houghton Mifflin about the reviews of Member&#13;
&#13;
March 24, 1946 letter from Howard Dowdy praising Member&#13;
&#13;
July 7, 1945 letter from Rome on V mail from Corporal Klaus Mann describing his tour of war-torn Europe, hopes to meet Erika, hopes to be discharged before the end of the year, say hello to Reeves&#13;
&#13;
"recent communications" note dated February 8, 1956 from Mary Rodgers;&#13;
&#13;
Christmas 1958 postcard from Marielle Bancou saying "I never loved you and admired you as much as I do tonight"&#13;
&#13;
photograph dated Paris, December 1960 with a letter saying "Darling I love you for having finished your book . . . "&#13;
&#13;
August 6, 1967 letter from Marielle Bancou in London saying she would soon be in Nyack, and sending her love to Ida&#13;
&#13;
     Some letters typed by Carson McCullers in ALL CAPS to Mary Mercer; to Marielle about a planned cruise, about Mary Mercer's housekeeper going mad; to Marielle about the assassination of President Kennedy&#13;
&#13;
     Sullivan says "And here is a series of all kinds of letters to Carson"&#13;
&#13;
February 4, 1950 from Ramsom H. Gurganes [?] who had met her back in Prohibition day&#13;
&#13;
September 17, 1961 from Debora Davis referring to the Three Arts Club and remembering a "girl in burette and sneakers absorbed in a writer's workshop at Columbia in 1936 or 1937", "you gave me a tea pot which has survived four marriages"&#13;
&#13;
July 12, 1963 from Edwin Peacock and John Zeigler with several photos dated April 1963 of them, Carson McCullers and Mary Mercer.  The letter says Oliver Evans came to talk over their early days in Columbus and asking for tickets for the opening night of the play, and thanking them for gifts received from Mary and Carson&#13;
&#13;
15 April, 1963 from Bob Walding [?] and Ed Berry saying that they treasure her friendship and remembering their times together in Columbus and other places, partly thorough reading her books;&#13;
&#13;
21 October from Bob about an upcoming dinner party and a trip to New York, and possibly moving back to Indiana from Paris.</text>
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&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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              <text>These letters read by Margaret Sullivan include:&#13;
&#13;
November 25, 1952 letter from Kay Boyle (Mrs. J.M. Franckenstein) saying that she was distressed to hear from Janet the day before that Carson had not received Boyle's note thanking her for her support right after the ordeal of the hearing.  They still don't know the decision of the panel and may not for several weeks.  [This is presumably the McCarthy hearings as a result of which von Franckenstein was fired from his job with the State Department]&#13;
&#13;
June 14, 1951 note from Brooks Adkinson thanking McCullers for a copy of her book&#13;
&#13;
June 28, 1951 note, also from Brooks Adkinson thanking McCullers in more detail after he had read her book, saying that in his opinion it is better than Hemingway and Faulkner&#13;
&#13;
Mar 1, 1950 postcard from Claire Booth Luce congratulating her on her play;&#13;
&#13;
February 22, 1961 postcard from Vanwicks [?] Brooks thanking McCullers for a "a nice message you sent me"&#13;
&#13;
January 27, 1950 letter from John Van Druten who refers to The Member of the Wedding as "the best thing on Broadway since The Glass Menagerie, adding that he had thought for a long while that theatre should take over some of the work of the novel and that she had succeeded in her "widening of the camera lens" through the play&#13;
&#13;
undated McCullers' reply to Van Druten thanking him for his letter and saying that his reaction to the play was the most insightful she had received, and referring to Tennessee Williams and how she met him after the novel The Member of the Wedding was published and closed by inviting Van Druten to come visit her in Nyack&#13;
&#13;
February 7, 1950 note from Van Druten regretting that he was leaving New York to return to his home in California, but that he was seeing The Member again on Wednesday so that the last thing he would take away with him from the New York season would be her play&#13;
&#13;
June 24, 1951 note from John Druten thanking McCullers for her gift of an autographed copy of her book of short stories&#13;
&#13;
an undated, hand-drawn map of the way to Janet Flanner's home in the French country-side, with notes from Flanner and Margarita to Reeves&#13;
&#13;
October 25, 1962 letter from Tennessee Williams asking how the lecture went and saying that he is back in Key West where the noise from jet fighters flying over kept him from sleeping and hoping that the Cuban crisis soon ends.  He has paid off the mortgage on the Key West properties and enclosed a picture of him and Carson&#13;
&#13;
Sullivan says "This letter that may have been in the Special Delivery envelope of July 8, 1958 from Peter Felderman hoping that Carson is better and promising to come see her after his visit to his grandmother&#13;
&#13;
30 April, 1947 letter from Cyril Connelly asking McCullers for something to put in the upcoming special edition of Horizon&#13;
&#13;
April 10, 1946 letter from Marjory Rowland praising The Member of the Wedding&#13;
&#13;
the contents of a folder labeled Houghton Mifflin, April-May 1946 which includes several letters concerning reviews of Member, especially disagreeing with the review written by Edmund Wilson in The New Yorker.</text>
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&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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              <text>These are letters from celebrities, close friends and some fan letters, read by Margaret Sullivan. They include:&#13;
&#13;
a get well card from President and Mrs. Johnson dated January 23, 1967&#13;
&#13;
a note from Robert Lantz dated May 12, 1966 saying that he knows that Brando has written and that John Huston hopes to see her in Ireland next year&#13;
&#13;
a fan letter dated November 15, 1966 from "Antaclito", a Filipino immigrant whose real name is Zoro David&#13;
&#13;
a note dated May 3, 1966 from Andre Girard describing his reaction to the film, The Member of the Wedding, and saying that he and Marielle hope to stop by to see McCullers the following week&#13;
&#13;
a thank-you note with no date from Mary Rodgers Guattel&#13;
&#13;
a note dated August 4, 1963 from Cheryl Crawford referring to Mary Mercer's Bentley and hoping to have a Bentley race with her&#13;
&#13;
a letter from David Garrett dated November 19, 1959 about meeting McCullers at a party in New York with Hindu diplomats and Alsatian dogs and would like to visit her around Christmas&#13;
&#13;
an undated note from Betsy Brewer about the acceptance of Aeneas' book of Greek sketches and a visit to her of Ben Edwards. She also asks McCullers how the arrangement for Alice Rowald's [?] apartment in Paris is going and comments that she hopes Edward Albee's play is going well [perhaps referring to the Broadway production of The Member of the Wedding.]&#13;
&#13;
a letter dated September 11 [with no year but obviously written during World War II] from Mary M expressing worry about Reeves, asking about being able to publish an extract from Carson's current book in Bazaar, and knowing that Carson would like to be in France in the midst of the danger, but reassuring her that her writing was also very important&#13;
&#13;
an undated note from H. William Vitalson thanking McCullers for a gift of her book, with a guest list on the back; a Special Delivery &#13;
&#13;
envelop dated July 8, 1958 [empty]&#13;
&#13;
a letter dated August [no year] from Pete about his time spent at the beach in Massachusetts writing 9 hours a day trying to finish his novel&#13;
&#13;
a postcard of the Hollywood Bowl with no date from "Speed" and a note that says "Everyone loves your book"&#13;
&#13;
a note dated October 7, 1953 from J. Jean Evans about some books they had discussed&#13;
&#13;
a letter dated March 10, 1950 from Harold Strauss of Knopf Books declining to become Carson McCullers' editor until she had made a clean break with Houghton-Mifflin&#13;
&#13;
a letter dated February 25, 1950 from Harrel Wolfolk thanking McCullers for her gift of an inscribed copy of her book and describing a frenetic housewarming party outside Charleston, South Carolina&#13;
&#13;
a note dated March 6, 1950 from Egon Hostovskty congratulating Carson on the dramatization of The Member of the Wedding and saying that he hopes to see her soon&#13;
&#13;
a letter dated November 7, 1959 from Mary Tucker and Carson's reply [unread since they were "transcribed by Mother"]&#13;
&#13;
a letter dated June 8, 1953 from Cheryl Crawford addressed to "Darling Carson and Reeves" referring to her current work on a play, hoping that Carson will finish Clock since she's rolling on it and not interrupt that work with another play and wishing that Carson had seen Camino Real&#13;
&#13;
a letter dated July 15, 1953 from Tennessee Williams saying that he is in Barcelona and Frank is in Rome. Just before leaving Rome he had tried to see Reeves in the hospital but he had already checked out. He said that his relations with Frank were strained. Paul Bowles is in Madrid and Williams had convinced Visconti to hire Paul to write some dialog for an Italian movie. Williams also mentions that he has heard that "Miss Capote" is in Europe but they haven't seen each other. He also talks about his bulldog, Mr. Moon, who is in Rome with Frank.</text>
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&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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              <text>Sullivan reads the letter in full that she started at the end of the preceding tape:&#13;
May 30, 1967 from Gladys Hill about the trip to Rome, and return to Ireland. It was very detailed about what they ate, how they slept, what they did, and details about both Reflections in a Golden Eye and Huston's next movie.  Enclosed a letter from Dr. Dyer. Looking forward to visiting McCullers in October. "Loves, hugs and kisses"&#13;
July 10, 1967 from Gladys Hill, describing a rainy day in Galway, Ireland and the filming of Huston's next [unnamed] movie.  Also wrote of Huston's family.  Huston will be in New York by October 18 for the premier of Reflections.&#13;
August 15, 1967 from Gladys dated August 15, 1967 about a telephone call from Carson, and telling her of their day of filming and eating and scouting locations for the film.  She also describes an Irish Christmas and Boxing Day.&#13;
"End of the Irish Material."</text>
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                <text>Cassette Tape 11 Side B -- Ireland Letters 2</text>
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                <text>Margaret Sullivan concludes the material relating to Carson McCullers' trip to Ireland in 1967.</text>
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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
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Oct 20, 1953—deeply touched by her letter and the memories of Yaddo, his illnesses and hospitalizations.&#13;
Aug 10, 1954—distressed to hear of her recent illness and wishes to hear more about her. Thinks of her often.&#13;
&#13;
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&#13;
     Sullivan next reads material having to do with the filming of Reflections in a Golden Eye, including one dated Aug 11, 1965 from Richard Burton hoping she will get well soon, another from Marlon Brando saying that John [Huston] often speaks of you and your "desire to get out of that damn bed and get to Ireland".  He tells her that she makes John do his best.  Brando comments that it has been a long time since they met at her apartment.  Sullivan then describes empty envelopes with John Houston's name embossed on them, used to record telephone numbers. Sullivan also reads a letter from Huston telling Carson that all arrangements for her upcoming trip to visit him at his home in Ireland will be made, and giving her details of her flight on Aer Lingus.  There are also prescriptions written by Dr. Dyar, articles about fox hunting, the article from the Irish Times of April 10, 1967 that was the result of a lengthy interview with McCullers while at the Irish home of John Huston, a large map of Europe, a mention of additional letters which Sullivan does not read and finally a partial letter&#13;
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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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&#13;
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Bibb Manufacturing Company Photograph Collection (MC 384)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
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Bibb Manufacturing Company Photograph Collection (MC 384)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.&#13;
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Bibb Manufacturing Company Photograph Collection (MC 384)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
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&#13;
Bibb Manufacturing Company Photograph Collection (MC 384)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.&#13;
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