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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
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              <text>Carson McCullers dictating a letter to Elizabeth Schwartz [Carson's German translator who lived in Switzerland]. This is only a few seconds long when the recording stops. After a pause there is a dictated letter to Mary Mercer saying that she (Carson) is practicing the use of the Dictaphone machine that Mercer had given to her. She says that she had just dictated a letter to Elizabeth Schwartz, who had given Carson "that lovely photograph of Annemarie" (Annemarie Schwarzenbach (1908-1942), Swiss photographer, writer and poet, and friend of Carson). She also mentions that "Robbie" (Robert Lantz, Carson McCullers' literary agent), had told Carson that the German edition had sold out and they were preparing another one.</text>
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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
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              <text>Carson McCullers dictating a letter to Marielle Bancou (1921-2015) for about 1 minute and 10 seconds, during which Carson tells Marielle that Mary [Mercer] had given her a Dictaphone, then corrects herself to "a talking machine" for Christmas.  "Ernest, a precious boy who lives upstairs, is helping me to run it."  Then there is a 1 minute 10 second gap before Ernest, presumably, says "the machine will now record" and asks Carson if she would like to recite a poem.  She recites two, one with the phrases "Nothing resembles nothing, yet nothing is not blank. It is configured hell" and "Of ticking clocks on winter afternoons".  Then another minute of silence.&#13;
&#13;
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&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
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              <text>    Margaret Sullivan reading letters from Newton Arvin of Smith College, North Hampton. Sept. 20, 1942--discussing Carson's recent illness, new home for her mother and new house in Nyack.  Asked about her work, Reeves, his trouble sleeping, his friend Howard Dowdy, hopes to move in a month to more permanent quarters.&#13;
&#13;
Three hand-written letters from Newton:&#13;
Oct 4, 1953—Good to hear from Carson after so many years of silence, hopes to see her, his distress at hearing what anguish she had suffered in the last years.&#13;
Oct 20, 1953—deeply touched by her letter and the memories of Yaddo, his illnesses and hospitalizations.&#13;
Aug 10, 1954—distressed to hear of her recent illness and wishes to hear more about her. Thinks of her often.&#13;
&#13;
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&#13;
     Sullivan next reads material having to do with the filming of Reflections in a Golden Eye, including one dated Aug 11, 1965 from Richard Burton hoping she will get well soon, another from Marlon Brando saying that John [Huston] often speaks of you and your "desire to get out of that damn bed and get to Ireland".  He tells her that she makes John do his best.  Brando comments that it has been a long time since they met at her apartment.  Sullivan then describes empty envelopes with John Houston's name embossed on them, used to record telephone numbers. Sullivan also reads a letter from Huston telling Carson that all arrangements for her upcoming trip to visit him at his home in Ireland will be made, and giving her details of her flight on Aer Lingus.  There are also prescriptions written by Dr. Dyar, articles about fox hunting, the article from the Irish Times of April 10, 1967 that was the result of a lengthy interview with McCullers while at the Irish home of John Huston, a large map of Europe, a mention of additional letters which Sullivan does not read and finally a partial letter&#13;
May 30, 1967 from Gladys Hill conveying well-wishes from people who had met McCullers during her visit to Ireland, as well as describing Huston's trip to Rome and seeing some scenes from Reflections in a Golden Eye.  The recording ends in mid-sentence.</text>
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&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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May 30, 1967 from Gladys Hill about the trip to Rome, and return to Ireland. It was very detailed about what they ate, how they slept, what they did, and details about both Reflections in a Golden Eye and Huston's next movie.  Enclosed a letter from Dr. Dyer. Looking forward to visiting McCullers in October. "Loves, hugs and kisses"&#13;
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August 15, 1967 from Gladys dated August 15, 1967 about a telephone call from Carson, and telling her of their day of filming and eating and scouting locations for the film.  She also describes an Irish Christmas and Boxing Day.&#13;
"End of the Irish Material."</text>
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&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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                  <text>Margaret Sue Sullivan, Caron McCullers, Reeves McCullers, Lillian Smith, American Literature, Margarita Smith, Rita Smith, </text>
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              <text>These are letters from celebrities, close friends and some fan letters, read by Margaret Sullivan. They include:&#13;
&#13;
a get well card from President and Mrs. Johnson dated January 23, 1967&#13;
&#13;
a note from Robert Lantz dated May 12, 1966 saying that he knows that Brando has written and that John Huston hopes to see her in Ireland next year&#13;
&#13;
a fan letter dated November 15, 1966 from "Antaclito", a Filipino immigrant whose real name is Zoro David&#13;
&#13;
a note dated May 3, 1966 from Andre Girard describing his reaction to the film, The Member of the Wedding, and saying that he and Marielle hope to stop by to see McCullers the following week&#13;
&#13;
a thank-you note with no date from Mary Rodgers Guattel&#13;
&#13;
a note dated August 4, 1963 from Cheryl Crawford referring to Mary Mercer's Bentley and hoping to have a Bentley race with her&#13;
&#13;
a letter from David Garrett dated November 19, 1959 about meeting McCullers at a party in New York with Hindu diplomats and Alsatian dogs and would like to visit her around Christmas&#13;
&#13;
an undated note from Betsy Brewer about the acceptance of Aeneas' book of Greek sketches and a visit to her of Ben Edwards. She also asks McCullers how the arrangement for Alice Rowald's [?] apartment in Paris is going and comments that she hopes Edward Albee's play is going well [perhaps referring to the Broadway production of The Member of the Wedding.]&#13;
&#13;
a letter dated September 11 [with no year but obviously written during World War II] from Mary M expressing worry about Reeves, asking about being able to publish an extract from Carson's current book in Bazaar, and knowing that Carson would like to be in France in the midst of the danger, but reassuring her that her writing was also very important&#13;
&#13;
an undated note from H. William Vitalson thanking McCullers for a gift of her book, with a guest list on the back; a Special Delivery &#13;
&#13;
envelop dated July 8, 1958 [empty]&#13;
&#13;
a letter dated August [no year] from Pete about his time spent at the beach in Massachusetts writing 9 hours a day trying to finish his novel&#13;
&#13;
a postcard of the Hollywood Bowl with no date from "Speed" and a note that says "Everyone loves your book"&#13;
&#13;
a note dated October 7, 1953 from J. Jean Evans about some books they had discussed&#13;
&#13;
a letter dated March 10, 1950 from Harold Strauss of Knopf Books declining to become Carson McCullers' editor until she had made a clean break with Houghton-Mifflin&#13;
&#13;
a letter dated February 25, 1950 from Harrel Wolfolk thanking McCullers for her gift of an inscribed copy of her book and describing a frenetic housewarming party outside Charleston, South Carolina&#13;
&#13;
a note dated March 6, 1950 from Egon Hostovskty congratulating Carson on the dramatization of The Member of the Wedding and saying that he hopes to see her soon&#13;
&#13;
a letter dated November 7, 1959 from Mary Tucker and Carson's reply [unread since they were "transcribed by Mother"]&#13;
&#13;
a letter dated June 8, 1953 from Cheryl Crawford addressed to "Darling Carson and Reeves" referring to her current work on a play, hoping that Carson will finish Clock since she's rolling on it and not interrupt that work with another play and wishing that Carson had seen Camino Real&#13;
&#13;
a letter dated July 15, 1953 from Tennessee Williams saying that he is in Barcelona and Frank is in Rome. Just before leaving Rome he had tried to see Reeves in the hospital but he had already checked out. He said that his relations with Frank were strained. Paul Bowles is in Madrid and Williams had convinced Visconti to hire Paul to write some dialog for an Italian movie. Williams also mentions that he has heard that "Miss Capote" is in Europe but they haven't seen each other. He also talks about his bulldog, Mr. Moon, who is in Rome with Frank.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is:&#13;
&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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                  <text>Margaret Sue Sullivan, Caron McCullers, Reeves McCullers, Lillian Smith, American Literature, Margarita Smith, Rita Smith, </text>
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              <text>These letters read by Margaret Sullivan include:&#13;
&#13;
November 25, 1952 letter from Kay Boyle (Mrs. J.M. Franckenstein) saying that she was distressed to hear from Janet the day before that Carson had not received Boyle's note thanking her for her support right after the ordeal of the hearing.  They still don't know the decision of the panel and may not for several weeks.  [This is presumably the McCarthy hearings as a result of which von Franckenstein was fired from his job with the State Department]&#13;
&#13;
June 14, 1951 note from Brooks Adkinson thanking McCullers for a copy of her book&#13;
&#13;
June 28, 1951 note, also from Brooks Adkinson thanking McCullers in more detail after he had read her book, saying that in his opinion it is better than Hemingway and Faulkner&#13;
&#13;
Mar 1, 1950 postcard from Claire Booth Luce congratulating her on her play;&#13;
&#13;
February 22, 1961 postcard from Vanwicks [?] Brooks thanking McCullers for a "a nice message you sent me"&#13;
&#13;
January 27, 1950 letter from John Van Druten who refers to The Member of the Wedding as "the best thing on Broadway since The Glass Menagerie, adding that he had thought for a long while that theatre should take over some of the work of the novel and that she had succeeded in her "widening of the camera lens" through the play&#13;
&#13;
undated McCullers' reply to Van Druten thanking him for his letter and saying that his reaction to the play was the most insightful she had received, and referring to Tennessee Williams and how she met him after the novel The Member of the Wedding was published and closed by inviting Van Druten to come visit her in Nyack&#13;
&#13;
February 7, 1950 note from Van Druten regretting that he was leaving New York to return to his home in California, but that he was seeing The Member again on Wednesday so that the last thing he would take away with him from the New York season would be her play&#13;
&#13;
June 24, 1951 note from John Druten thanking McCullers for her gift of an autographed copy of her book of short stories&#13;
&#13;
an undated, hand-drawn map of the way to Janet Flanner's home in the French country-side, with notes from Flanner and Margarita to Reeves&#13;
&#13;
October 25, 1962 letter from Tennessee Williams asking how the lecture went and saying that he is back in Key West where the noise from jet fighters flying over kept him from sleeping and hoping that the Cuban crisis soon ends.  He has paid off the mortgage on the Key West properties and enclosed a picture of him and Carson&#13;
&#13;
Sullivan says "This letter that may have been in the Special Delivery envelope of July 8, 1958 from Peter Felderman hoping that Carson is better and promising to come see her after his visit to his grandmother&#13;
&#13;
30 April, 1947 letter from Cyril Connelly asking McCullers for something to put in the upcoming special edition of Horizon&#13;
&#13;
April 10, 1946 letter from Marjory Rowland praising The Member of the Wedding&#13;
&#13;
the contents of a folder labeled Houghton Mifflin, April-May 1946 which includes several letters concerning reviews of Member, especially disagreeing with the review written by Edmund Wilson in The New Yorker.</text>
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&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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              <text>Sullivan reading letters:&#13;
&#13;
April 1, 1946 [conclusion] from Christine Noble Govan about Wilson's review of Member&#13;
&#13;
letter from Kenneth S. Sagen to Edmund Wilson excoriating his review&#13;
&#13;
April 2, 1946 letter from Leonard Erving to Houghton Mifflin about the reviews of Member&#13;
&#13;
March 24, 1946 letter from Howard Dowdy praising Member&#13;
&#13;
July 7, 1945 letter from Rome on V mail from Corporal Klaus Mann describing his tour of war-torn Europe, hopes to meet Erika, hopes to be discharged before the end of the year, say hello to Reeves&#13;
&#13;
"recent communications" note dated February 8, 1956 from Mary Rodgers;&#13;
&#13;
Christmas 1958 postcard from Marielle Bancou saying "I never loved you and admired you as much as I do tonight"&#13;
&#13;
photograph dated Paris, December 1960 with a letter saying "Darling I love you for having finished your book . . . "&#13;
&#13;
August 6, 1967 letter from Marielle Bancou in London saying she would soon be in Nyack, and sending her love to Ida&#13;
&#13;
     Some letters typed by Carson McCullers in ALL CAPS to Mary Mercer; to Marielle about a planned cruise, about Mary Mercer's housekeeper going mad; to Marielle about the assassination of President Kennedy&#13;
&#13;
     Sullivan says "And here is a series of all kinds of letters to Carson"&#13;
&#13;
February 4, 1950 from Ramsom H. Gurganes [?] who had met her back in Prohibition day&#13;
&#13;
September 17, 1961 from Debora Davis referring to the Three Arts Club and remembering a "girl in burette and sneakers absorbed in a writer's workshop at Columbia in 1936 or 1937", "you gave me a tea pot which has survived four marriages"&#13;
&#13;
July 12, 1963 from Edwin Peacock and John Zeigler with several photos dated April 1963 of them, Carson McCullers and Mary Mercer.  The letter says Oliver Evans came to talk over their early days in Columbus and asking for tickets for the opening night of the play, and thanking them for gifts received from Mary and Carson&#13;
&#13;
15 April, 1963 from Bob Walding [?] and Ed Berry saying that they treasure her friendship and remembering their times together in Columbus and other places, partly thorough reading her books;&#13;
&#13;
21 October from Bob about an upcoming dinner party and a trip to New York, and possibly moving back to Indiana from Paris.</text>
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&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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              <text>Margaret Sullivan reading: &#13;
November 7, 1961 letter from Frances and Albert Hackett about Carson's illness and hand issues.  Describes a wildfire in their area of Los Angeles and their evacuation plans, they are coming to New York soon to see plays and to see her&#13;
&#13;
July 7, 1961 letter from Elizabeth Schmack [?] describing a drought in Switzerland and her hopes to move soon to Zurich in autumn, will keep the chalet.  Sorry to hear that Carson had lost the picture of Annemarie and the poem&#13;
&#13;
June 11, 1963 note about a call to thank Mrs. Charles T. Ables for Ida's purse, and to thank McCullers for the Ballad of the Sad Café&#13;
&#13;
note dated around Christmas and New Year's from Mary Tucker thanking McCullers for a poinsettia and talking of various parties, an article about Edward Albee's work, refers to McCullers' pneumonia&#13;
&#13;
August 14, 1963 letter from Grace S. McCallister thanking McCullers for a party on August 2&#13;
&#13;
July 20, [1962?] letter from Jo [Joanne Gomme?] thanking her for a gift of a silver tray that McCullers sent her as a wedding present&#13;
&#13;
January 19, 1965 letter from Alex apologizing for not writing and saying was a wonderful experience it was to serve as her nurse and to thank Dr. Mercer for her hospitality&#13;
&#13;
21 April, 1966 letter from George Freedley regarding the "Ballad of Carson McCullers" and his meeting of her at Cherry Grove with Jane and Paul Bowles&#13;
&#13;
May 11, 1966 McCullers reply asking for his review of "The Ballad of Carson McCullers"&#13;
&#13;
November 15 letter from Jim Spicer about meeting her "that rainy afternoon" and asking to meet her again.  He remarks on reading Clock Without Hands and her collected works and how much he admires them&#13;
&#13;
undated note from Joe "to remind you of me who drove you and Max from Peggy's" and hopes to visit her soon&#13;
&#13;
undated  letter from Howard Moody who will see her when next at Glen Paterson's&#13;
&#13;
March 25 from Josephine Mullins who says "I hesitate in writing to you but I remember you and your mother. . . from when you lived next door to us on Stark Avenue, I also remember you as a musician"&#13;
&#13;
undated letter from Melven J. Lasky [Floria Lasky's brother] thanking her for flowers McCullers sent, hopes to see her soon&#13;
&#13;
march 21, 1950 postcard from the Bahamas thanking Carson for her cable signed C.L.R&#13;
&#13;
March 21, 1950 letter rom Viola W. Bernard thanking McCullers for her invitation to a fundraiser, and replying to McCullers request for a recommendation about a doctor in Nyack saying she doesn't know anyone to recommend, and also mentions elephants at the Clarkstown Country Club&#13;
&#13;
undated letter from Dr. Sigbert Hershfield in Rome to Carson and Reeves thanking her for her gift of a book and her invitation to Paris, discusses his father's illness, and declines their invitation, glad to hear that the country life "agrees with you both and you are in a better state, especially with Reeve's gastric ulcers"&#13;
&#13;
January 14, 1953 partial letter from Ira Morris to Reeves and Carson from Morocco detailing the on-going riots and unrest, and their pleasant time spent in Marrakesh and are waiting for their visas before going on to West Africa for two weeks&#13;
&#13;
March 2, 1953 letter from Dr. Hugh Gainsbourgh in London saying that it was good to hear from Carson, discussing Reeve's illness and a recommended low-fat diet and recommending another doctor for a second opinion and hopes to see them in Paris sometime&#13;
&#13;
March 13, 1950 letter from Fran Sullivan about The Member of the Wedding opening on Broadway, and hopes she will go on writing for the theater and the Empire Theater where it was performed.</text>
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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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              <text>Margaret Sullivan reading the following:&#13;
&#13;
December 26, 1953 letter from Howard Mandel wishing Carson a Merry New Year, hears of her wanderings from Frank, seeing Doris Lees' series of imaginary portraits of women writers including Gertrude Stein, the Bronte sisters, Emily Dickenson, Edith Sitwell, George Sands, Sappho and Carson McCullers "the painting of you is really superb", we must arrange a meeting with her, many parties but now I must settle down to business&#13;
&#13;
10 December, 1953 letter from Tanya Tolstoy saying she got Carson's letter from Paris, doesn't intend to leave Switzerland until the end of the month and hopes Carson and dear Bebe are well&#13;
&#13;
March 23, 1950 letter from Dr. Alfred Wolkenberg, "seller of fine antique reproductions", saying he is glad that Carson is getting better, he has the flu and has got to read some books he had neglected including one from 1947 and sends a book to her. The letter is signed Frank&#13;
&#13;
17 July 1953 letter from Dennis, saying "I'm afraid that your copy of Bottegha Obscure has gotten dog-eared and he is enclosing a new copy of it.  He had read [a draft of] Clock twice and says it is an encouraging start to her novel which he urges her finish, and he enclosed a review from the New York Times, enjoyed lunch together, Dennis&#13;
&#13;
August 8, 1953 letter from Gene Reynolds saying Louise Lalu picked up a copy of one of your books and said "it would be funny as I got around to reading one of Carson's books in Italian", liked the Ballad of the Sad Café, discusses other books and authors, including one by Annemarie [Schwarzenbach]&#13;
&#13;
October 23, 1953 letter from William Mayer, MD, saying he couldn't see her a couple of days ago, hopes she is better&#13;
&#13;
March 7 [no year] letter from Mrs. Jacob Anthony Begner, inviting Carson to a party on April 6, wanting to see her, signed Edith&#13;
&#13;
October 19, 1958 letter from Hilda Bruch, MD saying she thought that Carson would want to see how she had condensed the first draft adding that without her help she could never have done it, also enclosing an article about Gertrude W. Borge, who gave much aid and comfort to refugees in America, including Dr. Bruch when she arrived in 1934&#13;
&#13;
February 17, 1959 letter from Harold Vinal, saying he will edit the Autumn issue of Voices and asking her to contribute some poems&#13;
&#13;
two back pages of letter from Jessie McFail Kimbro from Columbus, Georgia saying "Carson you have really gotten to the top of the ladder" and talks about Carson's nanny [another missing page] and talks about Carson's aunt and her grandmother, Mrs. Waters, also talks about changes to the neighborhood of her grandmother's house&#13;
&#13;
October 21 1953 postcard from Ruth, saying "I know you lived here too.  I like everything fine except I'm lonely.  Home November 14&#13;
&#13;
October 18, 1953 or 1963 post card to Rita Smith saying having a good vacation, love Minnie&#13;
&#13;
July 21, 1963 postcard saying Mission accomplished. Went 6 dollars over budget but I think you'll be pleased, Love, Jack&#13;
&#13;
postcard from Assisi to Carson and Dr. Mercer saying that the whole region is overwhelming, Much love, Cornelia&#13;
&#13;
June 22, 1967 postcard mailed from Cape Hatteras saying "This is the farthest south I've been.  Want to go to Georgia.  Beginning of July Street Car Named Desire in Nyack.  Want to be there.  Peter O'Brian&#13;
&#13;
October 12, 1963 letter from Frank saying "Best wishes for a successful opening and a long run"&#13;
&#13;
August 3, 1967 letter from Frank saying he was sorry he missed Carson's phone call and saying that Jean is improving and can move the left side, adding "I have many letters of Annemarie's but they're in German, there may be some photos which I will try to find"&#13;
&#13;
June 24, 1958 note from Jane asking when they can have lunch&#13;
&#13;
undated letter from William Beyer of Arkansas about an article written about her in the Manchester Guardian Weekly and her work, especially Ballad, and enclosing a poem he wrote about loneliness and desire&#13;
&#13;
January 21, 1959 letter from Sandy Campbell of New York City recalling pleasant time that she spent in Nyack with Carson and the time that Carson and Reeves spent with her during the night of Summer and Smoke and asking her to sign some slips of paper to place in her copies of Carson's books&#13;
&#13;
1966 nearly illegible letter from Davis F [?] Oxford asking for Carson's help in getting a visa to come visit her in America&#13;
&#13;
invitation to the wedding of Joanne Gomme [Carson's nurse during her trip to England for the Cheltenham Festival of Literature in 1962] to be held on August 10, 1963, with a note on the back saying in Carson's handwriting "Gift send 6/24/63"&#13;
&#13;
another wedding invitation from Mrs. Louise Rita Miller for the wedding of Patty Louise to Tommy Johnson Williams in September&#13;
&#13;
July 28 letter from Cookie Buckley saying that she loved being with Carson and Mary and described how hot who it was where she is and enjoyed Carson's hospitality and thanks to Ida, talks of her family and problems&#13;
&#13;
December 1, 1958 letter from Corning White saying that she had recently received two letters from Max Whetherly [?] with no return address, and saying that he and Mrs. White might be going to Europe in the summer and hope to lease their apartment to Max while they are gone.  He asks Carson if she can give them his current address&#13;
&#13;
July 30 [no year] letter from Lila van Sayer saying that she would love to see Carson and how much she enjoyed Clock Without Arms [sic]&#13;
&#13;
undated letter from Ralph saying there has been a mix-up about where Max should have sent something, adding that she has found lots of McCullers fans at her college in Shreveport, Louisiana.</text>
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Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
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              <text>Margaret Sullivan reading the following:&#13;
&#13;
August 13, 1963 note from Mrs. Barbara Blakemore thanking Carson for including her&#13;
&#13;
July 19, 1963 letter from Leonard Byrne saying that he is delighted to hear of a new book and the opening of Ballad&#13;
&#13;
24 September 1957 letter from Ben asking her to call him&#13;
&#13;
November 7 card from Sherke [?] thanking Carson for her beautiful orchid&#13;
&#13;
January 5, 1954 card from Jane and Bob Stanton announcing the birth of Alexander Hardy and recalling a visit to Nyack and apologizing for being so long in thanking her for it&#13;
&#13;
December 29 Christmas card from Takako Shinano of Tokyo, Japan&#13;
&#13;
undated card from another Japanese correspondent Mrs. Mitahashi asking for some American stamps&#13;
&#13;
several Christmas cards of various dates&#13;
&#13;
get well cards of various dates&#13;
&#13;
Valentine cards&#13;
&#13;
various empty envelopes&#13;
&#13;
August 2, 1963 postcard from Oliver Evans saying "addendum to yesterday's letter" if there is any difference between your inside rooms and Capote's "Other Rooms" I fail to see it&#13;
&#13;
June 14, 1963 letter from Oliver Evans thanking her for her wire and saying that he intends to arrive in Nyack in a week or less&#13;
&#13;
February 26, 1963 letter from Oliver Evans saying that he is relieved she will cooperate with him in a biography of her&#13;
&#13;
March 1962 letter from Oliver Evans with a copy of an article of his from the MLA journal [Sullivan reads extensively from this essay]&#13;
&#13;
letter dated "Thursday" from Dr. Katherine Cohen [Carson's psychiatrist in London] describing her vacation scenery and routine, and her difficulties at entering Holland due to an expired passport&#13;
&#13;
October 2 and 3 letter from Dr. Katherine Cohen in Rotterdam, saying that she is sorry her first letter went astray&#13;
&#13;
February 10, 1954 letter from Mary Alberta Hinton to an unnamed person [perhaps Carson's mother, Margarite Smith?] saying that she is sorry about the misfortunes befalling her and how important it is to get back on her feet to help Carson and Rita&#13;
&#13;
a "long newsy letter" dated December 28, 1953 from Bessie Hicks of Columbus, Georgia to Mrs. Lamar Smith [Carson's mother] about the death of Mattie and her help with Herman's illness, about family and friends in Columbus, also mentions the shipment of "her mirror, such a lovely thing" [probably the pier mirror that she took to Nyack when she moved in with Carson]</text>
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Columbus State University Archives&#13;
Columbus, Georgia&#13;
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              <text>Margaret Sullivan reading "special letters of Carson"&#13;
&#13;
Carbon copy of a letter dated "Sunday" from Margarita Smith [Rita Smith, Carson's sister] to Edwin [Peacock] and John [Zeigler] telling them that she and her mother are having a quiet day at home and that Sister [Carson] is in the Doctors' Hospital for a few days for some new and special treatment.  She and Reeves have a passage booked on the America for May 20, and adding that she is distressed about his recent illness and her first trip to the NY zoo in Central Park, spring flowers are starting&#13;
&#13;
undated letter from Tommy Bodkin enclosing a telegram and predicting that she will win the Critics Award, and hopes to see her before her trip to Ireland&#13;
&#13;
undated letter from Tommy Bodkin enclosing a letter, misses her and hope that her treatment will kill her pain&#13;
&#13;
November 20, 1951 letter from William March to Reeves, "sorry to have missed you and Carson", has been working and finished a novel called October Island to be published in England, and is going to start another in the new year&#13;
&#13;
July 23, 1958 letter from Paula Sue Abrams thanking her for coming to Columbia to lecture and commenting on her work and its effect on the young, praising both her work and her person&#13;
&#13;
dated July 31, 1958 letter from John Fieldman inviting her to speak at the Indiana University Literary Awards Banquet and offering her 500 dollars as a speaker's fee, as well as giving her some information about the University and the Award&#13;
&#13;
July 19, 1958 letter from Alan Chestat [?] inviting her to attend an assembly program on literary topics, offering her 150 dollars as a speaker's fee&#13;
&#13;
July 18, 1958 letter also inviting her to speak on a college campus&#13;
&#13;
July 14, 1958 letter from A.S. Buarck of the magazine The Writer offering to publish her talk to Columbia University in the magazine&#13;
&#13;
January 16, 1954 letter from Columbus from Archie G. Smith about a debate he had proposed to the Kiwanis Club twenty years earlier on whether environment or heredity had the greater influence on one's character, but which other members of the entertainment committee felt could not be done justice in such a limited time frame.  He suggested that she take this topic on for a new book, and told her that he had a photograph of the Kiwanis Club taken on June 29, 1920 on the steps of the 1st Baptist Church.  Her father is standing in the middle of the door, and in the group are the Rhodes Brown, President of the Kiwanis Club that year, and names other members&#13;
&#13;
October 1, 1953 letter from Elizabeth Mitchie of Gaucher College inviting her to deliver a lecture at Gaucher College in Baltimore and offering her 500 dollars as a speaker's fee&#13;
&#13;
May 1, 1952 letter to Mrs. Lamar Smith from Hannah Josephson of the American Academy of Arts and Letters saying that Mr. Paul Bigelow has delivered the typed manuscript of The Member of the Wedding for an exhibit and it has been insured for 5000 dollars, she also invites her and "your distinguished daughter" to the opening ceremonial of the exhibit and in a PS asks if there is photograph of Mrs. McCullers for use in the exhibit&#13;
&#13;
honorary membership card for the International Mark Twain Society signed by Gail Cyril Clemens&#13;
&#13;
note referring to cancelled checks, 25 shares of United Fruit not in deposit box, and asking about Reeves' power of attorney&#13;
&#13;
plane tickets on BOC and excess baggage tickets from London to NY October 25, 1951&#13;
&#13;
24 October, 1951 receipt for travel expenses London to NY&#13;
&#13;
August 7, 1951 receipt from Dr. G. Williams for professional services&#13;
&#13;
2 August,1951 receipt from the R.M.S. Queen Elizabeth for first class passages for Reeves and Carson McCullers&#13;
&#13;
August 8, 1951 baggage declaration and entry in NY signed by Reeves McCullers&#13;
&#13;
November 30, 1950 letter from Nina Holton of Houghton Mifflin concerning her stories Wunderkin and April Afternoon&#13;
&#13;
October 17, 1960 carbon copy of a letter from Hardwick Mosely of Houghton Mifflin to Robert Lantz expressing outrage at McCullers' decision to change publishers and hoping to have a chance to get her to change her mind&#13;
&#13;
October 20, 1960 letter from Robert Lantz to Carson, with a cc to Floria Lasky, about a letter from Houghton Mifflin, and asking her to call him in regards to it&#13;
&#13;
December 26, 1950 letter from Hardwick of Houghton Mifflin telling Carson about the results of their efforts in pre-selling the Ballad of the Sad Café and their planning for its official publication&#13;
&#13;
December 27, 1961 letter from of Houghton Mifflin to Robert Lantz concerning the publication of Clock Without Hands in Braille&#13;
&#13;
December 12, 1950 letter from Alfred Kantourovich [?] Verlag about a German edition of The Heart is a Lonely Hunter&#13;
&#13;
December 6, 1950 letter about the German edition of The Heart is a Lonely Hunter&#13;
&#13;
registration from the American Kennel Club for a bulldog [Christopher] of McCullers' born September, 1950&#13;
&#13;
March 22, 1950 letter from John Chapman of The News: New York's Picture Newspaper asking to use a digest of The Member of the Wedding in The Next Best Plays&#13;
&#13;
empty envelope mailed to Yaddo</text>
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                  <text>By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is:&#13;
&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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              <text>Margaret Sullivan reading McCullers letters:&#13;
&#13;
April 14, 1946 letter from Sandy Campbell saying he had read The Member of the Wedding and asked for her to autograph his copy of the book&#13;
&#13;
July 31, 1945 letter from Major Pope saying that when he and a friend had spoken to Kay Boyle during a visit to his command "last winter" she had mentioned "that you [McCullers] had more than ordinary misgivings about what sort of reactions your books and stories had produced".  He read the Heart is a Lonely Hunter and found it intolerable that the human heart must be either lonely or a hunter, saying that the heart must be more flower-like than that and grows to a satisfaction deeper than the mind's discouragements, and that the end of the Ballad might hint at that conclusion&#13;
&#13;
April 5, 1946 letter  from Constance Coyle [?] of Houghton Mifflin about McCullers' dissatisfaction with her publishers' ad campaign for The Member of the Wedding and adding that her displeasure causes them very real chagrin.  She enclosed reviews (including one from Newton Arvin) and copies of advertisements; included in the batch of materials are reviews for all McCullers' books, as well as reviews of Oliver Evans' book on McCullers, The Ballad of Carson McCullers, which Sullivan reads at great length&#13;
&#13;
a series of telegrams congratulating her for success of The Member of the Wedding on Broadway and some of her responses&#13;
&#13;
in addition to the telegrams of congratulations there is a telegram dated November 27, 19?? [Sullivan says that the year is smudged and unreadable] from Reeves McCullers to Mrs. Lamar Smith saying that Carson is much better but must see no one but Bebe, Rita, William and himself for some time.  Will arrive LaGuardia on Air France on Sunday morning and will cable approximate time of arrival&#13;
&#13;
September 4, 1951 telegram from Carson to Lt. Reeves McCullers asking to have bank airmail a notarized copy of her bank balance to London to enable her to sponsor Angelina for a visitor's visa&#13;
&#13;
February 25, 1954 telegram to Mama from Charleston with get-well wishes from Edwin and John and closing "I embrace you, your own sister"&#13;
&#13;
July 31, 1953 telegram from Floria Lasky to Princess Ceatani in Paris saying "Wires received.  Due to situation, Reeves, Carson's affairs and confusion, she intends honor her obligations sending 300 dollars now for Augenblick.  Have him send full details unpaid items.  Also confirm to him Carson's previous advice not to accept any further items.  Carson unwell.  Send communications to me.  Expect to resolve matter completely within week."&#13;
&#13;
October 18, 1953 telegram to Lt. Madam Carson McCullers, "Sending one big trunk, personal belongings, silver angel, air mailed letter follows, Reeves Brown (Sullivan says, "This is also item 270")</text>
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                  <text>These are the papers of Margaret Sue Sullivan, PhD (1935-2012).  They include her school papers, research materials (mainly focusing on Carson McCullers and Lillian Smith) from graduate school through her later life, newspaper clippings of local and national events, copies of her dissertation, photographs, audio recordings and a varied and voluminous correspondence.</text>
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                  <text>By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is:&#13;
&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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              <text>Margaret Sullivan reading Carson McCullers materials:&#13;
&#13;
February 17, 1963 (?) First part of a letter previously read from Mrs. Jessie McFail Kimbrow [?] saying in part "As your and Grafton's birthday will be soon be here I've been thinking about years ago.  We lived across the street from you on 13th until 1912 [sic] when I married. . . I remember when Margarite had you practice the piano.  Do you remember that lovely old piano?  I think it was the Carson piano.  Margarite loved music very much. . . We used to play dolls a lot together.  I always had a cat.  Your mother couldn't stand cats. . . [The letter contains more reminisces about family and friends]&#13;
&#13;
June 3, 1963 Carson's reply June 3, 1963 thanking her for her letter "which carried me back to Columbus and the old days when I was a child"&#13;
&#13;
August 15, 1963 letter from Carson to Clara Spensen with a note, "Was not mailed at Mrs. McCullers request", saying she had not written because of so many things that have been going on, that they are hoping that Montgomery Clift will be well enough to play Singer in the movie of The Heart is a Lonely Hunter, hoped you would have visited in the fall and now hopes that she will be her companion in Nyack, as she was to "that divine Tanya", adding that Clara's time would be mostly free.  Carson then says, "I am not alone in Nyack.  I have a most beloved friend, Dr. Mary E, Mercer, who lives in her beautiful house on top of a mountain.  Spiritually we share our lives together and without her I would not have survived my life the last five years.  She has the tranquility of Out of Africa . . . She was my psychiatrist and after treatment she became my best friend and medical coordinator.  She talks to all the doctors and translates to me what they say", adding that Clara is the only person she could feel comfortable dictating to&#13;
&#13;
drafts of letters to John L. Brown and his wife Simone with various dates in March [year unknown but probably 1958 or 1959 from Carson saying that she is looking forward to seeing them in Rome, recently had an occasion of heart failure while she was climbing the steps of her psychiatrist's snowy terrace, "this is a sour spring day" but I am thinking I am looking forward to them coming home, recovering from another attack of heart failure, talks of Baudelaire, "come soon, soon, soon", talking about finishing Clock Without Hands&#13;
&#13;
June 27, 1963 letter from Gabriele C. Talle [?] of Diogenes Verlag in Zurich to Robert Lantz about publishing translation of Member of the Wedding and The Square Root of Wonderful&#13;
&#13;
July 8, 1963 Carson's reply to Floria Lasky saying since "I do not like Square Root, that is not important to me, but the rights to Member are, Robbie is unable to act because of Audrey, Carson has never felt that she was the agent for her and says that Audrey met her through her friendship with Tennessee and came to Carson while she in the Neurological Hospital, she does not know my reputation in Europe, my wishes are for Robbie to handle all rights to my works, she thinks that she and Audrey should part and asks Floria to instruct Audrey to let Robbie handle all issues relating to the rights to Carson's works&#13;
&#13;
May 11, 1963 letter from Edward Albee, apologizing for not writing in so long and thanking her for the children's verses she had sent him and for reading them to him last summer on Water Island, commenting on how important the sound of her voice in her wonderful writing.  He suggests that she should record them, with incidental music between them and suggesting that she talk with Robbie and Mary, closing by hoping that he and Terrence can see them before long&#13;
&#13;
May 28, 1963 Carson's reply to Albee thanks him for his comments about the children's verses and saying that she will share is comments with Robbie and Mary.  She also asks him, when he sends the script for Ballad to put her part in capitals and triple space the lines "so that I will be able to read it easily it and perhaps memorize by the time we record it".  She explains that she has an obscure neurological defect that causes her to skip two or three lines at the time and "that is the reason I cannot read aloud.  I am not going to be nervous about this because you promised me that you would help me.  Do you think Mary's tape recorder would do?  And where should we do it?"  She adds "Tom has done his film play of The Heart is a Lonely Hunter . . .Monty Clift is going to play in it.  Mary [Mercer] suggests very firmly that the recording should be done in Nyack to save energy and breath"&#13;
&#13;
April 2, 1963 letter from Elizabeth Schnack thanking Carson for her kind letter and saying that she is happy Carson is going to Charleston for the Easter weekend and will be sending her some postcards of a Swiss landscape that is associated with Annemarie, adding how happy she is that she is being looked after so well by her friend and her housekeeper, hopes to re-translate McCullers older works since she has done Clock without Hands and her newer works into German after she finishes Faulkner.  Elizabeth added that she had written something about her visit to McCullers in Nyack&#13;
&#13;
May 28, 1963 Carson's reply says that her lack of a secretary is the reason for her delay in writing.  She regrets that Elizabeth will not be coming to the U.S. until 1965.  Carson and Mary had a lovely trip to Charleston.  Does not much like Square Root of Wonderful and "on the other hand I dearly love The Member of the Wedding and wishes that that one would be issued by the Swiss publisher&#13;
&#13;
August 23, 1959 letter from Carson to Edith [Sitwell] saying "My cousin Jordan Massee and I are thinking of you and Osbert with such lingering loving thoughts".  She goes on to thank her for her superb anthology and hopes to see them again soon.  Tells her that she has a novel half-completed.  She went to a psychiatrist and "she not only restored me to my own soul" but took Carson to the very best hospitals where they found that they can operate on her paralyzed arm and leg.  The stroke was caused by childhood rheumatic fever.  "Meanwhile I have finished my analysis and my doctor and I are the very best friends.  You will adore her as she already adores you."&#13;
&#13;
August 23, 1959 letter from Carson McCullers to Jay asking him to write the Ford Foundation before their September 15th deadline nominating Carson for a grant saying that she intends to dramatize her forthcoming novel and to make an opera of Ballad&#13;
&#13;
August 23, 1959 letter from Carson to Thornton [Wilder?] saying how much she loved his work and asking him to write the Ford Foundation to recommend her for a grant&#13;
&#13;
undated partial letter from Carson to Cyrilly saying that her first instinct was to call, but wants him to know that I "am thinking of you with love. . ."&#13;
&#13;
August 13, 1963 letter from Carson to Aunt Gertrude, Aunt Kenney and Uncle Bill asking for a favor.  She says that the first time she made any money she sent her father an ebony cane with an engraved silver handle.  When he died "we sent the cane to Uncle Henry".  It had both Carson's and her father name on the handle.  Now that Uncle Henry is dead, Carson wonders if the cane has been kept and if so, now that she has to use a cane to walk, she would love to have it, both for the family sentiment and for its usefulness to her&#13;
&#13;
August 1, 1973 [sic, but probably 1963] letter from Oliver Evans saying that after having read all her work for the third or fourth time, "I am absolutely appalled by how much of it has been copied by Truman Capote", adding specific examples, although he likes Capote, but never before realized how derivative he is; he asks Carson some specific questions for his book on her [Sullivan breaks off the letter here].</text>
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        <name>Out of Africa</name>
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        <name>Robbie Lantz</name>
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        <name>Rome</name>
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        <name>Simone Brown</name>
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        <name>Tennessee Williams</name>
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        <name>The Heart is a Lonely Hunter</name>
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        <name>The Member of the Wedding</name>
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        <name>The Square Root of Wonderful</name>
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        <name>Thornton Wilder</name>
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        <name>translation</name>
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        <name>Truman Capote</name>
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        <name>Water Island</name>
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                  <text>Margaret S. Sullivan Papers (MC 298)</text>
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                  <text>These are the papers of Margaret Sue Sullivan, PhD (1935-2012).  They include her school papers, research materials (mainly focusing on Carson McCullers and Lillian Smith) from graduate school through her later life, newspaper clippings of local and national events, copies of her dissertation, photographs, audio recordings and a varied and voluminous correspondence.</text>
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                  <text>By accessing the CSU Digital Archives, the user agrees to give proper acknowledgement to the CSU Archives and further agrees to secure permission in advance from the CSU Archives to publish any item in any way, in whole or in part, from its collections. The Archives preferred citation is:&#13;
&#13;
Margaret S. Sullivan Collection (MC 298)&#13;
Columbus State University Archives&#13;
Columbus, Georgia&#13;
&#13;
Columbus State University Archives does not claim to control the rights of reproducing for all materials in the collection. The publishing party assumes all responsibility for clearing reproduction rights and for any infringement of the U. S. Copyright Code and agrees to indemnify and hold harmless Columbus State University, its officers, employees, and agents from and against all suits, claims, actions, and expenses.</text>
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                  <text>These include paper, photographs, audio recordings (in various formats) and moving images.</text>
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                  <text>no restrictions.</text>
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                  <text>Margaret Sue Sullivan, Caron McCullers, Reeves McCullers, Lillian Smith, American Literature, Margarita Smith, Rita Smith, </text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>00:30:41</text>
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              <text>Margaret Sullivan continuing to read the letter from Oliver Evans begun on side a of tape 17 (side 1) with more questions, with Carson's comments about Capote and his copying her&#13;
&#13;
dated Saturday AM letter from Oliver Evans saying "Dear Carson, I'm didn't mean to sound cross in my last letter.  Perhaps the tension I've been under is beginning to show" describing his trip across the desert and getting settled in his new position.  Had hoped to get the first 25,000 words off to the publisher, but was held up by her delay in answering his initial letter with questions.  Understands that she had been ill and had not kept a copy of the letters . He reconstructed them and added other even more detailed ones not included above and her answers are written on his letter.  Needs the answers to finish the 5th chapter.  Had dinner with Gore Vidal and Christopher Isherwood recently&#13;
&#13;
August 19, 1963 letter from Carson to Oliver with comments&#13;
&#13;
July 17, 1963 letter from Oliver Evans about his biography of her and his research, including interviews with Floria Lasky and Edwin Peacock and asking many specific questions&#13;
&#13;
[most of the rest of the tape is a series of letters and postcards with mostly more biographical questions and Carson's answers some inclosing photographs]&#13;
&#13;
August 6, 1963 from Mrs. Margaret Rutherford of the Atlanta Journal-Constitution asking for information for an article timed to coincide with the opening of the Broadway play of the Ballad of the Sad Café, inclosing questions to which Carson replied on August 20th of 1963&#13;
&#13;
September 3, 1959 letter from Carson thanking Jay for writing to the Ford Foundation about her possible grant.</text>
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