1 20 59 https://digitalarchives.columbusstate.edu/files/original/bdc1035157f0921a1425c77465cfb737.JPG 921108190c2d5c17337295d543a31c38 https://digitalarchives.columbusstate.edu/files/original/6c759ce1dbc77971c7f5f19b381955ea.JPG 4ed79c2248467c434b47276577e660a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0059 Title A name given to the resource Untitled Description An account of the resource Landscape scene with sunset, trees, and a cabin on a small wooden disc. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter and 1" in thickness. Medium The material or physical carrier of the resource. Oil on wood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/a1dbadcb9c217336b174a51976149c1b.JPG ebffdc63d11f7a000dd7b3bc783f524c https://digitalarchives.columbusstate.edu/files/original/29fc64f67a8bf38bf78ec3e92d8f8964.JPG 5cce037ab33a8a06d4a92ebc483b383f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0058 Title A name given to the resource Untitled Description An account of the resource Decorative pattern in red, green, black, and blue on a small wood disc. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter and 1" in thickness. Medium The material or physical carrier of the resource. Oil on wood. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/9754d8346e8a7699c7dfbf1f7f6e5864.JPG d32e5efb9b30cb3a267bc81434dcc642 https://digitalarchives.columbusstate.edu/files/original/def17fb53fe41d397da686f4fc9457cb.JPG ba0ceb72658dd2453252779f95688cee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0057 Title A name given to the resource Untitled Description An account of the resource Decorative pattern painted onto a small wood disk. Date A point or period of time associated with an event in the lifecycle of the resource No date Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter and 1" thick. Medium The material or physical carrier of the resource. Oil on wood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/f810fedf273b52e3ca95096677722fc0.JPG d3944711f623349b2920855b96e5370c https://digitalarchives.columbusstate.edu/files/original/1fd0f2690b469a37e72f3d29b5b51c47.JPG 6398254416648ca2723107bf311abcb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0056 Title A name given to the resource Untitled Description An account of the resource Small wooden disk painted with a cabin set in a wooded landscape. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 6" in diameter, and 1" thick. Medium The material or physical carrier of the resource. Oil on wood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/cba5fb92515a836927d3d237fc110d43.JPG c3bf673f93ac3313c0887ab0829b1c94 https://digitalarchives.columbusstate.edu/files/original/5bad6528319c74b20b721a7ddee70e0a.JPG f1c3e7304dbcdd094d33a6978f6e4d19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0055 Title A name given to the resource "Trade Sign" Description An account of the resource Round sign with a red and black diamond and spiral motif in the center. It read: " Pasaquan- Afro- American- Indian- Nature- Corporative" around the perimeter, just inside a scalloped aluminum edging. Label on reverse from previous exhibit at the Columbus Museum. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource Approximately 12" in diameter, and 3/4" thick. Medium The material or physical carrier of the resource. Oil on plywood with aluminum sheet border. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/17c08c9e70782d5583e947d1bfde626b.JPG c089856b4db2a78842050643bde8929a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0054 Title A name given to the resource Untitled Description An account of the resource Primarily red, yellow, and brown depiction of a Pasaquoyan ritual object. Three eyes and a candle adorn a largely crescent-shaped object. Deeply set within a white and black frame. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower right Format The file format, physical medium, or dimensions of the resource Approximately 8" x 10", including frame. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/0c7d496f8d5a1c67c9d4bfca6325a204.JPG e97f0dc72580181ea21d7e308059c0f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0053 Title A name given to the resource Untitled Description An account of the resource Two superimposed, black figures in center of painting, holding an almost Shiva-like pose. Large white face on left edge of painting above a partly obscured lilac face. Three "shields" are in the immediate foreground, with the two to each side bearing eyes among their decoration. The background is either abstract or unfinished, and is primarily scarlet in colour. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned. Format The file format, physical medium, or dimensions of the resource 48" x 48" Medium The material or physical carrier of the resource. Oil on plywood Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/bf212b3d5ec881b9cf6f2ffcb4bca999.JPG 79d75f2f4cb1b568328ea6012a2a6d00 https://digitalarchives.columbusstate.edu/files/original/c1578a8fa73790339f3c2617c639c661.JPG 675fb18e1e0cc255a661d877735b9b6a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0052 Title A name given to the resource Untitled Description An account of the resource Pasaquoyan family in a forest. Rustic, carved wood-plank frame. Decorative design on cardboard backing, on reverse. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower right. Format The file format, physical medium, or dimensions of the resource 28" x 33" Medium The material or physical carrier of the resource. Watercolour on paper. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/5d332de235ec9f5a389801fd64d5f609.JPG aac3e6b3f7d63947e48e790c533f8c86 https://digitalarchives.columbusstate.edu/files/original/a638a9ebc0750ca695544efab3bf9e77.JPG 9dfa589357efc5bf5b874c1a99ed8b07 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0050 Title A name given to the resource Untitled Description An account of the resource Front: Landscape depicting 2-3 Pasaquoyan structures, with a tree and plant in the foreground and mountains in the background. Limited colour palette. Almost abstract in initial appearance. Reverse: Floral depiction with four red flower buds. Remaining painting is primarily executed in blue and white, including the foliage of the flowers. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower left, on front. Format The file format, physical medium, or dimensions of the resource 46" x 26" Medium The material or physical carrier of the resource. Oil on plywood. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/50ea32d43fadff94d1ab0fdc4371adb4.JPG 497504ec32af21bfa891c5ded72dbc76 https://digitalarchives.columbusstate.edu/files/original/ed7070a3706a466bd706f5256ecf14e2.JPG 9222d46a69360e49dc33954eb847bfed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0049 Title A name given to the resource Untitled Description An account of the resource Outdoor scene of a standing female, possibly doing laundry, with two wooden tubs on a table. An urn-shaped pot is on a fire in the immediate background. Rustic, carved wood-plank frame. Decorative design on cardboard backing sheet, on reverse. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower right. Format The file format, physical medium, or dimensions of the resource 26" x 30.25" Medium The material or physical carrier of the resource. Mixed media on paper. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/97b3b93220a085c8278b428731d0c7f0.JPG 25bbbc71395ffb5be15dfc9ab81fb284 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0048 Title A name given to the resource Untitled Description An account of the resource Three female musicians and one female dancer performing under a pavilion on a rectangular-tiled floor which mirrors the ceiling. Clouds and a treeline appear in the background. Framed and matted. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "ST. EOM" lower left. Format The file format, physical medium, or dimensions of the resource 29" x 22" Medium The material or physical carrier of the resource. Work on paper. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/dc5d4465de76db3a7f0e52eddc9d5899.JPG b89be266f5c2c63808026498bf63559e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0047 Title A name given to the resource Untitled Description An account of the resource Three dancing figures, two with headdresses, depicted in primarily red landscape. Three sets of three shields are in the immediate background, while decorative pattern work dominates the foreground. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Unsigned Format The file format, physical medium, or dimensions of the resource 32" x 34" Medium The material or physical carrier of the resource. Oil on canvas Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/fc4d723cde2927f328a9ed0b5c01864e.JPG e8b956dcd5e5437de090c929e6717d71 https://digitalarchives.columbusstate.edu/files/original/ec6ae582bbdeb6d2a302fb2eea87b456.JPG 0f65ce072f540c2719132ca5828f740d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0046 Title A name given to the resource Untitled Description An account of the resource Landscape with two trees and a road in the foreground, hills, mountains, and the sun in the background. Geometric border of eggs and darts. Painted on the re-purposed end of a large wire spool. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Format The file format, physical medium, or dimensions of the resource 21" in diameter Medium The material or physical carrier of the resource. Oil on salvaged wood. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/7c6c4200e63c43ca94780c0ea759f6b5.JPG 19e06092d08f61e5addb5b77c8b641a7 https://digitalarchives.columbusstate.edu/files/original/8bcc90d1d986f85653e377d67fd428bc.JPG 693769d990fb6d69900f44fccb0b94b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0045 Title A name given to the resource Untitled Description An account of the resource Interior scene of a man and a woman, seated, drinking from wine glasses. Three paintings are visible in the background. Date A point or period of time associated with an event in the lifecycle of the resource No date Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Format The file format, physical medium, or dimensions of the resource 24" x 36" Medium The material or physical carrier of the resource. Oil on canvas. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/345155227a70912285a587fdfef7fec8.JPG 839d29a840233dcc93a6061a4ebebfc6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0044 Title A name given to the resource Untitled Description An account of the resource Abstracted landscape of geometric "sunburst" flowers, with a river, mountains, and sky in the background. Commercially framed. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Format The file format, physical medium, or dimensions of the resource 38.5" x 21" Medium The material or physical carrier of the resource. Paint on paper Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/114f8084aaae450063af7fa012dd3a4f.JPG 7c9970eb1b0a802236af3976fcf66435 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0043 Title A name given to the resource Untitled Description An account of the resource Scene of a Pasaquoyan warrior with spear and shield. Ceremonial platform and gong in the foreground, forest, mountains, and sun in the background. Multiple tears and perforations. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "St. EOM" lower middle Format The file format, physical medium, or dimensions of the resource 24" x 29.75" Medium The material or physical carrier of the resource. Oil on canvas. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/8b020659a6eb3d4a1153db13e4c71f41.JPG 7a515df89925693faf919907cc5b55b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0042 Title A name given to the resource Untitled Description An account of the resource Portrait of a Pasaquoyan Male wearing a power suit with a forested landscape and orange sky behind. Commercially matted and framed. Date A point or period of time associated with an event in the lifecycle of the resource April, 1972 Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "St. EOM" middle left Dated April, '72 middle right Format The file format, physical medium, or dimensions of the resource 32" x 27.75" Medium The material or physical carrier of the resource. Oil on canvas Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/44f5af7f8e7f16e5ff88ff4177012890.JPG ba6a72f2add5e9a0c3668bb504206d5e https://digitalarchives.columbusstate.edu/files/original/e6ac02ba370e4cdc27adccca4720ad39.JPG 29b456fddc594aad5684e96131a19d82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0041 Title A name given to the resource Untitled Description An account of the resource Exterior scene depicting two potters conducting their trade. One standing female trimming pots, and one seated male throwing them. A number of Pasaquoyan caravans and a walking figure are in the immediate background, with mountains and larger, seated, "Buddha" figure in the distance. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Signed "St. EOM" lower left Format The file format, physical medium, or dimensions of the resource 29" x 30" Medium The material or physical carrier of the resource. Oil on canvas Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/1c581b729819944b2d4fc5a14e3d1303.JPG 074cbb40446c690677451d03ceff459b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0040 Title A name given to the resource Untitled Description An account of the resource Portrait of a man wearing a turban with geometrically decorated archways behind him. Commercially matted and framed. Extensive tape damage. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Format The file format, physical medium, or dimensions of the resource 25" x 24.25" Medium The material or physical carrier of the resource. Oil on drywall. Eddie Owens Martin Painting Pasaquan St. EOM https://digitalarchives.columbusstate.edu/files/original/65fc75a8d6dc75269e8fc81042ba1b4c.JPG da91d7632723f6e6e41ffa087264bc12 https://digitalarchives.columbusstate.edu/files/original/956fde2af45a664a70df7b31d1fcd16b.JPG 72244f8824c95372c93407955e86c794 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC 327 Title A name given to the resource Pasaquan Collection (MC 327) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. https://archives.columbusstate.edu/findingaids/mc327.php Description An account of the resource Pasaquan is an internationally renowned art environment located in Buena Vista, Georgia, some thirty miles southeast of Columbus. It is situated on seven acres of gently rolling property and is comprised of six buildings encircled and interconnected by nearly four acres of masonry walls. Buildings and structures at Pasaquan are characterized by highly idiosyncratic construction methods and decorative motifs, largely executed in masonry bas-relief which has been painted in a wildly colourful palette. Pasaquan is the passionate life's work of an eccentric artist named Eddie Owens Martin (July 4, 1908- April 16, 1986) who later adopted the moniker of St. EOM. Over the course of some thirty years, in various campaigns and with what materials were available to him, St. EOM transformed a small, rural farmhouse he inherited from his mother into a rambling estate resplendently decorated with motifs and forms representing his visionary ideal. In an article on the outsider artist, Tom Patterson describes Pasaquan as "one of the most remarkable folk art environments in America – a sort of mock pre-Columbian psychedelic wonderland of brightly painted totems, curved and angled walls and walkways, and wildly ornamented structures that [Martin] called "temples" and "pagodas." The site was listed on the National Register of Historic Places in 2008. A complete restoration of the site was completed by the Kohler Foundation in 2016. The site is currently under the stewardship of Columbus State University and the Columbus State University Foundation. The Pasaquan Collection is comprised of a rich variety of resources regarding not only St. EOM's creation of Pasaquan, but also the thirty year-long preservation effort of various groups and individuals (most notably the Pasaquan Preservation Society) and the recent restoration completed by the Kohler Foundation. These materials are divided into sections based upon type and subject matter. Textual resources are divided into two sections: Correspondence and Financial Records. Correspondence relates largely to St. EOM's art exhibition and sales, as well as his family and personal matters. Included here are letters to his brother Joe, a note from Rosalyn Carter about an 1978 exhibit of St. EOM's art in Washington, D.C., and letters from people seeking his fortune-telling expertise and bestowal of luck in various situations. There is a separate folder for his medical issues. There are also letters concerning films, photographs and slides of his house, grounds and artwork. In most cases the images are not with the letters but are probably among the loose films, slides and photos. Martin and many of his correspondents were erratic in the use of dates. In general the correspondence is in chronological order. If an undated letter is with an envelope, and the postmark is legible, that date is written on the letter in brackets and is used for filing. Undated material is grouped without order at the end of the series. Envelopes without contents are filed by postmark. Financial records include routine bills such as utility bills; auto repairs; purchases at Sears; bills for mail-order purchases of supplies for his art; bills of sale for his crops to Tom's Peanuts; cotton factors and other buyers; insurance coverage and property tax payments. In the case of bills from the Blessing Oil Company of Brooklyn, which supplied him with the oils used in various rituals he performed as part of his fortune-telling practice, a decision was made to include them in the Correspondence since Martin developed a personal relationship with the vendors there. The records of the Pasaquan Preservation Society, including minutes, visitors books, financial records and other materials documenting their 20 year existence as the managers of the site and its contents, are treated as a separate collection (MC 368). Date A point or period of time associated with an event in the lifecycle of the resource 1920s - 1980s Extent The size or duration of the resource. 1 box (1 l.f.) Rights Information about rights held in and over the resource Permission to Publish Permission to publish material from the Pasaquan Collection (MC 327) must be obtained from the Columbus State University Archives at Columbus State University. Use of the following credit line for publication or exhibit is required: Pasaquan Collection (MC 327) Columbus State University Archives Columbus, Georgia Creator An entity primarily responsible for making the resource Eddie Owens Martin (St. EOM) Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MC327.A.P.0039 Title A name given to the resource "A Pasaquoyan Youth" Description An account of the resource Portrait of single male figure, with house, tree and river in the background. Vibrant, surreal palette. Commercially matted and framed. Date A point or period of time associated with an event in the lifecycle of the resource No date. Creator An entity primarily responsible for making the resource Eddie Owens Martin / St. EOM Format The file format, physical medium, or dimensions of the resource 23" x 23" Medium The material or physical carrier of the resource. Oil on canvas. Eddie Owens Martin Painting Pasaquan St. EOM